Monthly Archives: December 2012

Top 40 Albums of 2012 (40-21)

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It’s that time again – time to look back on all the great albums released this past year. 2012 has been filled with fantastic albums, and as a result, I’ve come up with a doozy of a list.  You’ll find a variety of genres here ranging from rap to folk to metal to punk.  No matter what type of music you enjoy (minus country) you’ll find something on here that you’ve either already been enjoying or music you should be enjoying. Whatever the case, enjoy!

Honorable Mention:

The Amazing “Gentle Stream”

Bison B.C. “Lovelessness”

Crystal Castles “(III)”

The Evens “The Odds”

Lambchop “Mr. M”

Metz “S/T”

Mind Spiders “Meltdown”

Pilgrim “Misery Wizard”

Lee Renaldo “Between the Times & the Tides”

Twin Shadow “Confess”

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Worst Album Covers of 2012

Mural Abbey Road1 copy

And the nominees are…

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Best Album Covers of 2012

Elliott_Smith_Memorial_Wall

And the winners are…

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Most Overrated Album of 2012: Kendrick Lamar “good kid, M.A.A.D. city”

Kendrick Lamar

good kid, M.A.A.D. city

[Aftermath; 2012]

Rating: 5.3

Hype is an important factor for any musician’s start in the business, but out of all the genres, it is most important in the world of hip-hop. Hype made artists like 50 Cent, Drake, and Nicki Minaj household names before they’d even released their first record.  In the world of rap music, hype is king, whether it be legendary hype-men like Flavor Flav and P Diddy, or the multitude of hip-hop outlets that rely heavily on the idea of “hype” (Hoodhype.com, H.Y.P.E. Magazine, Hypemixtapes.com).  In recent years, a major factor in the growth of an artists hype results from the online, mix tape movement, an avenue for budding artists to get their sound out there.

One of the artists to get his start through the mix tape avenue is Kendrick Lamar and his Black Hippy crew. After several mix tapes, he released “Section.80,” a promising album for a young rapper. From there, the hype began to grow (out of proportion). After doing a concert with Dr. Dre, Snoop Dogg, and The Game, the trio called him “The King of the New West Coast.” Dre took it a step further, signing Lamar to his Aftermath label. Before his first release on the label even came out, Dre and him could be found mean-mugging on the cover of XXL Magazine, and inside, the XXL touted his latest album as “the biggest debut since Illmatic.” Even Nas himself said that Lamar was the future of hip-hop. Before anyone had even heard the album, Vibe Magazine ran a story on why his new album would change California rap forever.  All of this had gone down before anyone had even heard the album!

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BDWPS Podcast #10

http://bobdylanwrotepropagandasongs.files.wordpress.com/2012/02/2011-12-11__podcast-copy.jpg?w=500&h=134&h=134

On this episode you’ll here a United Kingdom-centric playlist (unintentionally) with new songs from Future of the Left, Alt-J, and Bat For Lashes. Canadian metal also makes an appearance with Bison B.C. and Menace Ruine. Sweden’s The Amazing and American born artists like Aimee Mann and Titus Andronicus round off the last podcast of 2012.

Songs played on this episode:

Future of the Left “Notes On Achieving Orbit”

Aimee Mann “Charmer”

The Amazing “Flashlight”

Bat For Lashes “Horse of the Sun”

Alt-J “Breezeblock”

Bison B.C. “Finally Asleep”

Titus Andronicus “Still Life With Hot Deuce On Silver Plate”

Menace Ruine “Salamandra”

Bob Dylan “Winter Wonderland”

Subscribe at iTunes (look up BDWPS) or listen here: 

http://bdwps.podomatic.com/entry/2012-12-02T12_00_13-08_00

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