Woods
Bend Beyond
[Woodsist; 2012]
Rating: 8.2
As with all movements, the lo-fi trend has tapered off over the past couple years. In its wake, many of the artists who found their niche within the genre have had to step outside the tape hiss and attempt to tread water on the strength of their songwriting. The entire ethos of the lo-fi movement was the idea that great songs will always be great, regardless of the production (this is the gospel of Robert Pollard). As the dust has settled, some have found success moving away from the 4-track recorder (Ty Segall, Wavves, Times New Viking) while others have been exposed (Male Bonding, Matt and Kim, Psychedelic Horseshit).
After the release of Wood’s 2011 album “Sun and Shade,” I felt that they belonged in the latter category. Without the amateurish production, the band seemed lost. Many of the songs come off as lazy, while others meander aimlessly from one guitar solo to another with several songs stretching past the seven-minute mark. The band’s knack for melodies seemed all but gone and the charm of the past erased.
There are a lot of bands out there today trying to recreate sounds from decades past. Whether it be aiming to recreate the stilted synth of the 80s, the lo-fi simplicity of the late 50s and early 60s, or the early 90s indie rock distortion. One of the most common victims of this resuscitation of rock Gods is the psychedelic rock of the late 60s with bands like Olivia Tremor Control, The Amazing, and Brightback Morning Light relying heavily upon ancient equipment scoured from pawn shops and auction houses. While bands like these have been able to recreate a sound from the past, Tame Impala have taken the psychedelic genre and flipped it on its head.
Bob Dylan Wrote Propaganda Songs 