Author Archives: android50

About android50

Paul and I (Android) are using this blog page as an outlet for expressing our views on music and to hopefully introduce readers to new artists. Besides reviews, we also feature writing about our trials and tribulations. If you are a musician and would like us to expose your music to our readers, just send an email, and we’ll check it out.

Heron Oblivion “Heron Oblivion”

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Heron Oblivion

Heron Oblivion

[Sub-Pop; 2016]

Rating: 8

Despite my constant search for new music, there are times where I’ll buy an album simply because it’s being released on a great label. Names like Merge, Sacred Bones, and Dischord are a seal of quality and will rarely do you wrong. Such was the case when I decided to get Heron Oblivion’s debut album on Sub-Pop (another trustworthy entity) after only hearing a couple of songs on YouTube. I didn’t know where the band was from, how long they’d been together, or how many albums they’d released. The combination of the Sub-Pop name and the hints of early 2000s Comets On Fire psychedelic space rock were enough to sell me on them.

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Year of the Bowie: Episode #1

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This week of new endeavors at BDWPS continues with the new episodic podcast series “Year of the Bowie”. For those that have listened to the BDWPS Podcast in the past year, you’ve heard me tell the story of Bob Dylan, month by month, at the end of each episode. My first intention was to do the same thing this year with the life story of David Bowie, but the more I thought about it, the five minutes of rambling at the end of each show just wouldn’t do justice to Bowie’s story.

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Turntable Untapped: Thin Lizzy, “Jail Break” – Odell Brewing, 5 Barrel Pale Ale

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As mentioned on the latest podcast (if you haven’t listened to it yet, get to it!), there are a couple of new BDWPS projects coming this week. I’m proud to announce the first development, a new ancillary blog entitled “Turntable Untapped”. Posts on the new blog, located at TurntableUntapped.wordpress.com, will be linked here on BDWPS. The new blog’s purpose is to combine my love of music with another passion of mine – craft beer. One of my favorite things to do on a lazy Sunday is to crack open a finely crafted micro-brew, put a classic album on the turntable, and lay down on the couch to enjoy the combination of the music and beer. Over the past few years, I’ve had fun trying to pair my beer choices with albums, and I’ve had the idea for a beer/music pairing blog series brewing for a while now.

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BDWPS Podcast #45

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In this episode, I discuss some of the highlights from my week at SXSW including performances from Thao Nguyen, MONEY, Big Ups, and Nap Eyes. We also check out new tracks from Little Simz and Lucinda Williams, and I discuss The Descendents documentary “Filmage”. You can subscribe to the podcast on iTunes, Stitcher, and Google Play (search: BDWPS).

Listen HERE!

Playlist

Thao & the Get Down Stay Down “Fool Forever”

MONEY “You Look Like a Sad Painting on Both Sides of the Sky”

Big Ups “National Parks”

Nap Eyes “Lion in Chains”

Little Simz “Have I”

Lucinda Williams “The Ghosts of Highway 20”

The Descendents “Hope”

Bob Dylan “Blowin’ in the Wind”

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Field Music “Commontime”

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Field Music

Commontime

[Memphis Industries; 2016]

Rating: 8

Throughout the history of rock and roll, the arrival of parenthood has often marked a decline in an artist’s creativity and output. We sometimes get gems like Stevie Wonder’s “Isn’t She Lovely” and David Bowie’s “Kooks” as a result, but the schmaltzy, lackluster content that most post-parenthood artists churn out far outweighs the memorable material.

Field Music have bucked this tradition with their recent release, Commontime. The band’s past five albums were overtly busy and bookish, often riddled by a case of having too many cooks in the kitchen. The two head chefs, brothers Peter and David Brewis, both recently entered parenthood, and based off of the songs on Commontime, the distraction that having a child brings has helped the band be more carefree with their songwriting approach.

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SXSW 2016

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This year’s SXSW was a unique experience for several reasons. For one, it was the first year where I spent the entire week going to shows by myself. In the past I’ve been able to coerce a friend or two into joining me, but my persuasive skills were not as effective this year. This year’s list of bands also lacked the same “star power” as it usually contains. Most years, I have a handful of must-see artists on my list. In a weird way, this lack of beloved artists made for a more exciting week of shows. Instead of spending my time trying to catch some of my favorite bands, I focused my energy on discovering new music, which really is the point of attending SXSW. Without a list of favorites bogging down my days, I was allowed to explore the musical landscape. Here are some of my favorite moments/performances of the week.

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BDWPS Podcast #44

I apologize for the delay on this month’s podcast, but I have a legitimate excuse – influenza. It’s been a rough week, but I powered through and recorded episode #44 of the BDWPS Podcast. In this episode we check out new tracks from Animal Collective, Jesu & Sun Kil Moon, David Bowie, Allan Kingdom, and Eleanor Friedberger. I also discuss the Oscar nominated documentaries and what I thought should have won the Academy Award. You can subscribe the the BDWPS Podcast on iTunes, Stitcher, and Podomatic (search: BDWPS).

Listen to Episode #44 HERE. 

Tracklist:
Animal Collective “Golden Gal”
Jesu & Sun Kil Moon “Fragile”
David Bowie “Lazarus”
Allan Kingdom “Fables”
Eleanor Friedberger “He Didn’t Mention His Mother”
Nina Simone “Backlash Blues”
Bob Dylan “Neighborhood Bully”

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