Category Archives: Video Clips

Bob Dylan Performs on David Letterman’s 2nd to Last Show

“What are the two most important things to know in the world? One is to be nice to other people. Two, the greatest songwriter of modern times is Bob Dylan. That’s all you need to know in life.”

– David Letterman

When I first heard the news, I was leery. “Bob Dylan to appear on David Letterman’s second to last episode.” I’m a huge Bob Dylan fan (the blog is named after him, after all), but I’ve not been much of a fan of his work over the past decade. Whether it be the debacle that was his Grammy performance at the 2011 Grammy Awards or the joke of a Christmas album that he released in 2009, Dylan’s old age is showing in his most recent efforts.

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Spuran Spuran “Spurs”

 

You already know I’m a music junkie, but this obsession is almost matched with my fervor for San Antonio Spurs basketball.  I spend many-a-night combing my two favorite things – there’s nothing better than a Spurs game set to some good ol’ doom metal.  Despite the reality that BDWPS.com is  a music blog, I’ve found ways over the years to sneak a little bit of this Spurs fandom into posts. In the past I’ve compared legendary music producer Steve Albini to Spurs coach Greg Popovich, I’ve used a  prog-rock video from Hocus Pocus to express my joy after a big Spurs win, and I’ve even used the Spurs as an excuse for why I haven’t blogged lately.

Last year I even used an entire post to try and convince the BDWPS faithful that Spurs power forward Matt Bonner is the DIY hero of the NBA by pointing out his friendships with the likes of Arcade Fire and War On Drugs, his shoe deal with the unlikely New Balance, his sandwich blog, and his various comedic videos posted to YouTube over the years.

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Screaming Lord Sutch

In the 1988 comedy Big, Tom Hank’s over-sized child of a character suggests to his toy company employers that they create an interactive comic book. I remember as a kid thinking this was the coolest idea ever (I also thought the Transformer/building that gets mocked in the film would be cool, so let’s take my 10-year old opinion with a grain of salt). 28 years later, there are a few Apps that offer an interactive, graphic novel experience, but the concept never took off like the film suggested it would. As an adult, I don’t have much interest in this would-be invention, but I’ve recently found the added pleasure of using the web to enhance my reading experience.

“I don’t get it! I don’t get it! I don’t get it!”

My foray into the world of interactive reading first took shape while reading the Bryan Wilson biography Catch a Wave. The book would often reference early recordings I’d never heard and television appearances I’d never seen. As I obsessively read the rollercoaster of a novel (it’s a must read for fans of music), I found myself referencing the YouTube search engine every page or so. This added to the experience, the video clips revealing more to the stories told in the book. So when Mike Love decided in 1988 to eviscerate every other artist at the Beach Boys’ Rock and Roll Hall of Fame Induction, I was able to watch it again and again – Mike Love’s self-absorbed delusions on full display.

Recently while reading Marc Spitz biography entitled Bowie, I’ve found myself going through the same interactive reading experience. Whether it be David Bowie’s all-time favorite childhood song, his first television appearance on a commercial for Luv Ice Cream, or his work as a mime, this virtual appendix has made for nightly YouTube gold discoveries as I’ve learned about Bowie’s difficult start in show business.

But one video search in accordance with the novel caught me off-guard more than any other. In the spring of 1970, David Bowie went to see Alice Cooper perform, and the novel suggests Bowie was inspired to take the theatrics seen on stage and match it with serious songwriting (sorry folks, Alice Cooper is not known for his prowess as a songsmith). The book discusses how Bowie had been interested in the flamboyant stage persona for years, dating back to the mid-60s when he saw Screaming Lord Sutch perform. Reading this, I had to ask myself “Who the hell is Screaming Lord Sutch?”

YouTube to the rescue. In a clip dating back to 1964, I found Screaming Lord Sutch performing an early rock and roll number entitled “Jack the Ripper.” Sutch can be seen parading around the stage, a ghastly Nosferatu of a character, terrorizing the easily scared females in the front row.

I had to know more about this guy. How had I never heard of him? It wasn’t the music that intrigued me (far from), but I couldn’t understand how a frontman dressing up in the 1960s equivalent of Marilyn Manson didn’t cause more of a panic. I could be wrong in this assertion, but Sutch might be the first rock musician to marry rock music with a theatrical stage persona. It’s sloppily done – the costume resembling a mish-mash of clearance Halloween leftovers, the music a derivative Fats Domino number with spoof lyrics – but I feel that maybe Sutch deserves a little more credit for the innovation of his stage presence. Would there have been a Kiss, an Alice Cooper, or a Ziggy Stardust without Screaming Lord Sutch? Probably, but there is something to be said about being the first to don a costume before taking the stage.

In the 60s, a knife and a severed head were considered good family fun.

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Favorite New Videos

 

A few weeks ago the MTV Video Music Awards took place, and to be honest, I didn’t watch. In fact, I don’t remember the last time I viewed the yearly event (probably in a dorm room over a decade ago).  I hate to play the “back in my day” card, but I do feel that there was a time when the VMAs were legitimately about rewarding great music videos and not just a popularity contest. Big winners in 2014 include former child stars like Miley Cyrus and Drake, and Lorde was awarded the “Best Rock Video” of the year for her song “Royals.” You know, THIS SONG that doesn’t feature any guitars and is built around a looping hip-hop beat? Can we all just agree that rock (at least the popular variety) is dead?

On social media I’ve seen some bemoan the age-old complaint that MTV doesn’t even play music videos anymore, but I think it’s time to get over the fact they haven’t been a music channel for over a decade. Some have suggested that music videos don’t matter anymore. However, I think they are more important than they have been since their explosion in the 80s. Young people have turned to YouTube as a major source of music listening, often playing the same video multiple times just to re-hear their favorite OneDirection song. The highest rated videos on YouTube aren’t of people on fire, or people getting hit in the nuts, but music videos of teeny-bop stars (hence why YouTube has now started its own music awards).

I am still old-fashioned in my listening habits, predominantly purchasing LPs and CDs with the occasional MP3 when I can’t wait until my next record store visit. Despite my out-of-touch approach to music, I do still check out new music videos on occasion. I’m not spending hours online watching videos, but I do have some new videos that I’ve watched several times. Here are some of my favorite videos as of late.

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Video Clip of the Week: Focus “Hocus Pocus” ’73

I’m not sure if it’s a known fact here on BDWPS, but I’m a huge San Antonio Spurs fan.  My obsession with Spurs basketball rivals my enthusiasm with indie music. Needless to say, I’ve been in full celebration mode since the Spur dismantled the Miami Heat a few weeks ago.  After the Spur’s game 3 victory, I was checking my twitter for news updates and snarky comments from fellow fans.  Amidst my state of bliss, I came upon the following tweet from indie rocker Mikal Cronin.

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Thurston Moore, Beck, and Mike D on “120 Minutes”

 

Last Saturday night I found myself caught up in one of those time-wasting YouTube loops that usually spiral into another wasted evening.  It all started with me searching out the 90s MTV show “Squirt TV,” a late night talk show that was filmed in the bedroom of teenager Jake Fogelnest.  What originally started as a cable access show was turned into an interview show that brought the likes of GZA, Liz Phair, and Sean Lennon into Fogelnest’s bedroom.  I thoroughly enjoyed this shortly run program. Maybe it was because I was around the same age or maybe it was because I liked the idea of having my music heroes visit my bedroom. Whatever the case, that strange little show has stuck with me after all these years (as a side-note, Fogelnest is a great follow on Twitter: @JakeFogelnest).

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Lindisfarne “Fog On the Tyne”

As I prepared for my podcast where I revisited the year 1971 (check it out here!), I came upon a band named Lindisfarne from Newcastle, England and their album Fog On the Tyne. Despite being the first time I’d ever listened to the prog-folk band, I’d quickly realize that I didn’t discover some forgotten gem from the 70s (Fog On the Tyne would be the best-selling album in Britain during that year).  Regardless of their success across the pond, I still felt like I’d stumbled upon some unappreciated band, and I began scouring the internet for videos of them.  My Lindisfarne binge made me quickly realize that this wasn’t some too cool for the room, hippie-folk outfit. These guys were a bunch of goofballs! No video better captures the band’s inability to take themselves seriously than a clip I found of them performing the title track to Fog On the Tyne.

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