Tag Archives: best new music

Favorite Albums from the Past Couple Months

As I did last month, I’m playing a little catch-up here on BDWPS and wanted to share some of my favorite albums of the past few months. With the year end lists coming, it also helps me to have some of these write-ups in the tank, so here’s an early glimpse at some of the albums that may make the cut on my year end, top 40 albums list.

Also, be on the lookout for the best album covers of the year list next week!

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Favorite Albums of the Past Three Months

As mentioned in a post a few weeks ago, my last few months at work have been overwhelming. Not to make excuses, but this would explain for the lack of reviews posted here as of late. I’d first like to apologize to my faithful readers (if you’re still out there!) and let you know that I’m still listening to loads of great music while being swamped at work. With the end of the year looming, I decided I’d take this one night of breathing room to post some of my favorite albums from the past few months. I hope to post a similar series of reviews like this in a few weeks (but don’t hold me to it).

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King Gizzard & the Lizard Wizard “Murder of the Universe”

King Gizzard & the Lizard Wizard

Murder of the Universe

[ATO; 2017]

Rating: 8.7

All signs would suggest that Murder of the Universe, the 11th release from Australian psych outfit King Gizzard & the Lizard Wizard, should be a disappointment. It’s 21 tracks long. It’s a concept album centered around the creation of outlandish altered beasts. And it’s the second release in a year where the band has promised to release five albums, resulting in possible oversaturation and carelessness (update: they released their third album of the year today). Yet somehow, all of these negative precursors somehow propel this album to new heights, making for one wild listen.

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The Magnetic Fields “50 Song Memoir”

The Magnetic Fields

50 Song Memoir

[Nonesuch; 2017]

Rating: 9.5

If 50 Song Memoir is proof of anything, it’s that Stephen Merritt is at his best when facing a monumental challenge. In 1999, he released 69 Love Songs, a box set that was just that – 69 songs about love, each told with Merritt’s signature bittersweet, often humorous lyrics. Since that seminal release, Magnetic Fields have stagnated a bit with a handful of meandering, mixed-bag albums. But in 2017, the songwriter has returned to his muse with another gargantuan challenge: to write 50 songs about his 50 years on this planet. Not only does he meet the quota, but the massive task helped him to shake the cobwebs off of his muse and write some of his best material in over 20 years.

Some may find the idea of a five-CD, 50 song album to be a bit too tedious, but Merrit masterfully tells his story in a way that is endlessly entertaining and continuously mysterious. This isn’t a straight-forward memoir (we never learn the names of his parents, if he has siblings, or the names of his lovers); instead, each song plays as a snapshot – sometimes a hilarious story (a mean cat, failing an ethics class in college, a song about how surfing is a dumb sport) and sometimes a heartbreaking revelation (the impact his mother’s boyfriends would have on him over the years, fears of the AIDs epidemic, mental illness). Merrit is at his finest though when the songs are a combination of both his signature snark and sadness.

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Sampha “Process”

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Sampha

Process

[Young Turks; 2017]

Rating: 8

A lot has happened since Sampha’s promising 2010 debut, Dual EP. Instead of capitalizing off of his first effort, Sampha instead spent the next seven years supporting his mother as she suffered with cancer. She passed away in 2015, and he would soon after discover his own health scare in the form of a lump in his throat. The result of this seven year hiatus from releasing music is Process, an album with a depth and maturity far exceeding that of most debut, full-length efforts.

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A Tribe Called Red “We Are the Halluci Nation”

A Tribe Called Red

We Are the Halluci Nation

[Radicalized; 2016]

Rating: 8.5

You are more likely to hear  about the Cleveland Indian’s battle with the Chicago Cubs in the World Series than you are to hear about The Standing Rock Sioux tribe’s protest of the North Dakota pipeline. Really, it isn’t that surprising. For over 400 years, Native Americans have been treated as second class citizens, their cause often ignored or quickly dismissed. With their third album We Are the Halluci Nation, the Canadian DJ trio called A Tribe Called Red are unwilling to sit idly by while the injustices of colonization continue to wreak havoc on indigenous people of North America.

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Alex Cameron “Jumping the Shark”

Alex Cameron

Jumping the Shark

[Secretly Canadian; 2016]

Rating: 9

We are all flawed humans. All of us. Donald Trump. Hilary Clinton, and yes, even Ken Bone. Celebrity provides us all with an outlet to judge others without fear of repercussions, but in the end, we all have our own crosses to bear. Instead of taking aim at fame, Alex Cameron decides to expose the mundane flaws of all of us: the business man, the drunk, and the dude living in his parents’ basement.

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