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To Film or Not to Film…

Technological innovations over the past 10 years have changed the entire concert experience. There was a time where filming or tape recording a concert were frowned upon. In fact, there was an entire episode of What’s Happening? in the mid-70s that focused on the perils of bootlegging concerts (featuring The Doobie Brothers!). But in today’s concert setting, people pull out their phones to live tweet, take pictures, and film with nary a glance from security or venue staff. I myself get annoyed by the iPhone Army present at most shows, many patrons spending more time checking their Facebook status update about seeing the band than actually watching them. I don’t mind patrons taking a moment to snap a picture, but when it turns into a photo shoot, I have a problem.

Several years ago I saw Broken Social Scene at SXSW and before even playing a song, front man Kevin Drew gave a speech along the lines of “Instead of trying to capture this concert through videos and photos, let’s just enjoy the moment and let our memories encapsulate it.” This was a big moment for me since I’d spent the past year filming a lot of shows for this blog (one look at my YouTube page and you’ll see there’s been a major falloff in video posts since that show). Up-and-coming British post-punk band Savages have taken it a step further, requiring all patrons to turn off their phones or the band won’t play.

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Video Clip of the Week: Bill Callahan in Iowa City

I should probably call this the “Video Clip of the Month” since it has been so long since I’ve posted anything.  I also intended to post this video on Friday as a 4th of July themed post (Callahan is playing “America!”) but again, I didn’t get it posted. I apologize for this.  Without Wi-Fi in my current location, my opportunities to post is varied, so bear with me the next few weeks.

Enough groveling; here’s a clip I filmed of Bill Callahan performing “America!” in Iowa City last week. He put on a great performance, but even more impressive was the work of his guitarist.  With what looked to be 30 pedals at his feet, he created one strange guitar sound after another.

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