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Year of the Bowie: Episode #9

In the final episode of “Year of the Bowie”, we take a look at David’s experimental explorations in the 90s and some of his more unexpected ventures in the 2000s. We also take a look at his death and the legacy he left behind.

Check it out HERE, or better yet, subscribe to the podcast on iTunes or Stitcher (just search: Year of the Bowie).

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BDWPS Podcast: EPISODE 50!

In the the latest episode of BDWPS Podcast we celebrate the milestone of 50 episodes that we have reached this month. We check out new tracks from Metronomy, Cheena, Wymond Miles, Dinosaur Jr, The Descendents, and Moonface. I also discuss the 20th anniversary of the first album from my high school band, Genera, and I discuss the Joy Division documentary. To close, we take a closer look at Bob Dylan’s Civil Right’s anthem, “Oxford Town”. You can subscribe to the podcast on iTunes and Stitcher (search: BDWPS).

Check it out HERE!

Tracklist:
Metronomy “Miami Logic”
Cheena “Cry For Help”
Wymond Miles “Rear View Mirror”
Dinosaur Jr. “Tiny”
The Descendents “Without Love”
Genera “Proud”
Moonface “The Nightclub Artiste”
Joy Division “Love Will Tear Us Apart”
Bob Dylan “Oxford Town”

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Top 40 Albums of 2012 (40-21)

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It’s that time again – time to look back on all the great albums released this past year. 2012 has been filled with fantastic albums, and as a result, I’ve come up with a doozy of a list.  You’ll find a variety of genres here ranging from rap to folk to metal to punk.  No matter what type of music you enjoy (minus country) you’ll find something on here that you’ve either already been enjoying or music you should be enjoying. Whatever the case, enjoy!

Honorable Mention:

The Amazing “Gentle Stream”

Bison B.C. “Lovelessness”

Crystal Castles “(III)”

The Evens “The Odds”

Lambchop “Mr. M”

Metz “S/T”

Mind Spiders “Meltdown”

Pilgrim “Misery Wizard”

Lee Renaldo “Between the Times & the Tides”

Twin Shadow “Confess”

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Best Album Covers of 2012

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And the winners are…

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BDWPS Podcast #9

In this month’s episode we check out TONS of new music, including: Dinosaur Jr, Ty Segall, Thee Oh Sees, Two Gallants, How To Dress Well, Black Moth Super Rainbow, and Grizzly. And, as always, the show closes off with another classic from Bob Dylan.

Songs on this episode:

Dinosaur Jr “Almost Fare”
Ty Segall “The Hill”
Thee Oh Sees “Hang A Picture”
Two Gallants “Ride Away”
Black Moth Super Rainbow “We Burn”
How To Dress Well “Cold Nights”
Grizzly Bear “Yet Again”
Bob Dylan “Only A Pawn In Their Game”

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Best Album Covers of 2011

20. Hello Echo

“Hello”

I placed this cover at the bottom of my list because I’m not sure if it’s actually a great cover, or if I’m just in love with the idea of a battle between a giant tree (or ent) and a robot building pulled straight from the movie “Big” (“I don’t get it! I don’t get it!”). If only they had thought of this concept for the movie “Real Steel”; it may have actually be watchable.

19. Friendly Fires

“PALA”

Friendly Fire’s guitarist says of their 2011 release “Pala”: “Our goal is to make vibrant, wide screen songs, but they must retain spontaneity, have an energy and mysticism around them.” Add the fact that their music is often labeled “tropical disco” and you’ve got the perfect cover for “PALA.”

18. Autre Ne Veut

“Body EP”

Um, so yeah…um, this is a picture of…well, um…you know. I questioned whether this was one of the best or worst covers. Is it pornographic or scientific? Is it alluring or disgusting? I came to the conclusion that a great cover should cause this type of uncertainty, stir up these questions, and add to your listening experience. When else would you be forced to try making a connection between stripped-down R&B and…well, something that rhymes with Mulva.

17. Iron & Wine

“Kiss Each Other Clean”

The good news: Iron and Wine’s cover for “Kiss Eachother Clean” is colorful, original, and refreshing. The bad news: the same can’t be said for the stale music on the album.

16. Braid

“Native Speaker”

I’m a sucker for a cover that doubles as optical illusions (check my number one cover back in 2009), and the cover for Braids “Native Speaker” satisfies this need. What at first may seem like a blasé portrait of the view through a shower door will soon have your eyes crossing and seeing visions like you're tripping off the vapors from a Sudafed shower tablet.

15. Thee Oh Sees

“Castlemania”

So what do you think will make the monster more furious: when he realizes it's a toy phone or that it’s a rotary?

14. Brooklyn Rundfunk Orkestra

“The Hills are Alive”

Flowers and mountains, and green growing pastures, Blue skies, and white clouds, and hairy goat faces, these are a few of my favorite things!

 13. BOAT
“Dress Like Your Idols”

Wearing your influences on your sleeve is so old hat. Wear them on your album cover! (I recognize seven of the nine album covers parodied here. Can someone help me and specify the albums in the top two squares of the right column? I feel like a hack for not knowing).

12.Gillian Welch

“The Harrow and the Harvest”

So you’re telling me that the guitarist from Baroness drew the cover for a country artist? BAD. ASS.

11. Young Galaxy

“Shapeshifting”

Can someone help this poor girl? Is her face glued to the floor? Are her feet excessively buoyant? Or is her bra stuffed with bricks?

10. Radiohead

“King of Limbs”

I’ll admit it – “King of Limbs” didn’t live up to expectations. It’s too short (37 minutes!), there’s none of the jaw-dropping songs we’re accustomed to, and simply put: it’s not “In Rainbows” (no one could have followed that album up; give them some slack!). Despite all its short-comings, the band still delivers with some truly haunting album artwork that is part graphiti over a photograph of trees and part demented rejects from Pac-Man (Blinky! Is that you!?)..

9. Jay-Z and Kanye West

“Watch the Throne”

If you’re going to have album called “Watch the Throne” you better bring the goods when it comes to packaging. Kanye and Jay-Z don’t disappoint with a Riccardo Tisci designed album cover that resembles a decadent engraving in gold. With its intricate embroidery and textured surface, it’s the coolest “golden” packaging since “The Legend of Zelda” (Zelda’s ‘bout to go HAM!).

8. Luke Temple

“Don’t Act Like You Don’t Care”

As a kid, if you ever imagined your drawings coming to life, this is what it might look like. I love the sheer chaos of the image coupled with the childish, messy style. This scribbly aproach gives the cover movement, and if you look at it long enough, the little fellow on the bike might just get away after all.

7. Discodiene

“S/T”

Taking advantage of primary colors, this cover shows that simple is sometimes better. Without the red lions, the blue cavern, or the yellow light of hope, this would be just another classical black and white drawing. Just think, with the help of Photobucket picture editor, YOU could make the top 20 list next year!

6. Bon Iver

“S/T”

I actually didn’t appreciate this cover when I first saw it. In fact, I found it to be a bit hack (a secluded cabin in the woods…WE GET IT JUSTIN!). Then I saw a short youtube clip showing the progress of making the cover and saw nuances I’d never noticed. Realizing this was in fact a multi-media, 3-dimensional masterpiece, I had to take all my pessimism and hide it in that pathetic little cabin in my soul.

The video clip that changed my tune:

5. Gang Gang Dance

“Eye Contact”

So much depends upon a grasshopper, glazed with morning dew, atop a green plant.

4. J. Mascis

“Several Shades of Why”

Mark Spusta, the artist who made the fantastic cover for Dinosaur Jr’s “Farm” is back, and this time he takes cool to all new territories. Yes, it’s trippy and wild and all that “Farm” had with its attack of the trees imagery, but it’s also cute in a “Hello Kitty” kinda of way. Yet, it’s still somehow a deeply depressing image. It’s rare that a color pencil drawing can conjure up so many reactions. When is this guy going to get a movie deal? Enough with Pixar; I want to explore the strange world found in Spusta’s mind.

3. Erland and the Carnival

“Nightingale”

Every year my list inevitably contains a cover that features a photograph that is either retro or that captures the energy of the music. This cover accomplishes both with a girl appearing to float amidst a room filled with 70s nostalgia (is that a poster of “Columbo”?). The cover’s greatness is furthered when the background of the photograph is revealed: this is a picture taken of Janet Hodgson, a girl supposedly possessed by the devil back in the 70s, being thrown across the room by the evil spirit. Poltergeist has never looked this fun.

2. Cut Copy

“Zonoscope”

In 2011 we saw the media try and convince us that a hurricane was going to hit New York (they also tried to get us to believe that Tracey Morgan hates gay people). As in most cases, only the crazies believed their fear mongering. Cut Copy’s “Zonscope” album cover presents an elegant view of what it may have been like if the news had been actually telling the truth. And how would New York respond? With a middle finger in the form of the Empire State Building.

1. Teebs

“Collection 01”

Almost all of the albums featured on this list are created by outside artist. Whether it be a picture taken by a polish photographer, a color pencil drawing by an artist, or a slide stolen from a gynecologists office, most bands draw inspiration from others creations. Not Teebs though (actual name Mtendere Mandowa). This hip-hop producer creates both his art and music in unison, using one to inspire the other and vice versa. As a result, his beats are glazed in nature while his paintings of flowers are influenced by modern society. It’s one of the rare cases where you can actually judge an album by its cover.

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Video Clip of the Week: St. Vincent does Big Black

Over Christmas, I met up with my friend SongsSuck for a few drinks, and our discussion got into books. He asked me to list my top 10 favorite books of all time.  As I tried coming up with my list, one book kept popping into my head: This Band Could Be Your Life by Michael Azerrad. At first, I resisted listing this title, trying to focus on the classics, but again and again the book kept creeping into my brain. I knew why. This one book had such a profound affect on me and my love for indie music, that I dare to say that this book could change your life.  It did mine.

You can’t help but be changed by the stories of bands like Sonic Youth, Minor Threat, The Replacements, and Black Flag and how they were able create music that was original and honest without any money backing their efforts. To this day I reference moments from the book, whether it be the tumultuous relationship between Lou Barlow and J. Mascis or the untimely death of D. Boon. This book shows you music at its rawest form and gives you insight into the trials and tribulations these kids dealt with as they took their four-track garage rock and made it into something legendary.  Our Band Could Be Your Life is the indie rock bible; no question about it.

Yesterday, to mark the ten-year anniversary of the book, a show was put on at the Bowery Room consisting of current indie bands covering bands from the book, just another testament to the staying power of the book.  While I enjoyed the clips from the show I saw of Ted Leo, tUnE-yArDs, and Titus Andronicus, it was St. Vincent covering Big Black that blew me away. I’ve never gotten any St. Vincent and never had any desire. What I’ve heard has never really peaked my interest, but after seeing their take on Big Black, I’m all in.

Their incredible performance “Kerosene”:

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