Swet Shop Boys
It is officially time to start wetting our pants – Donald Trump will be the President of the United States in mere months. The thought of that orange faced, mentally ill galoot running the most powerful country in the world is reason enough to be nervous, but his hateful rhetoric of bigotry and oppression has been even more appalling. Expressing this panic and anxiety as a white man feels a bit like empty venting in comparison to those who actually have something to fear in the Trump dictatorship.
Enemy #1 seems to be anyone of Muslim descent. Threats of a Muslim registry and even internment camps have already been floated by the Trump camp, and one can’t help but feel helpless to a Republican majority that might just appease the mad man’s wishes. Swet Shop Boys, a hip-hop duo comprised of Heems and Riz MC (both of Muslim descent), might just be the soundtrack of angst and hope that we have all been looking for in these trying times.
Sooo, it looks like I forgot to post the latest BDWPS Podcast to WordPress…my bad! It’s been a rough week for all of us.
With the results of the 2016 presidential election in, this BDWPS Podcast turns into a therapy session for listeners with new tracks from Adam Torres, Bon Iver, Conor Oberst, Preoccupations, Ausmuteants, Hamilton Leithauser, Mick Jenkins, and LVL UP. We also take a look at the Elliot Smith bio-doc “Heaven Adores You” and revisit Bob Dylan’s “Bringing It All Back Home.”
Adam Torres “High Lonesome”
Bon Iver “33 God”
Conor Oberst “Tachycardia”
Ausmuteants “I Hate You”
Hamilton Leithauser “Rough Going (I Won’t Let Up)”
Mick Jenkins “Spread Love”
LVL UP “Pain”
Elliot Smith “Last Call” B
Bob Dylan “Corrina, Corrina”
Last week, several news sources picked up on the fact that Bernie Sanders used David Bowie’s “Starman” during his exit from the stage at his Iowa caucus celebration. I love this Bowie classic and think that anytime is a good time to listen to it, but I didn’t quite understand the correlation between Bernie’s campaign and the lyrics that tell of an alien that contacts Ziggy Stardust amidst the apocalypse. Is Bernie the “Starman,” and if so, shouldn’t he be staying away from us in an effort to avoid “blow(ing) our minds”?
Politicians have a history of using music to help define their campaign. In 1992, Bill Clinton invigorated the baby boomer generation with Fleetwood Mac’s “Don’t Stop” and in 2000, George W. Bush used Tom Petty’s “Won’t Back Down” until the artist threatened litigation. While both of these tracks capture the essence of the candidate’s campaign message, “Starman” and its out of this world lyrics don’t quite match up with the campaign of a 74-year-old Jewish grandpa. Unless one of Bernie’s platforms is to “let all the children boogie,” I don’t think “Starman” is the best choice for his campaign.
Despite my disagreement with the song choice, this news story got me thinking all things Bowie when it comes to the election: what Bowie song should each candidate come out to? What album best matches the persona of each candidate? It goes without saying that I have a lot of free time on my hands. This pointless night of musing resulted in the following – a series of Bowie album covers featuring all of the current candidates (Chris Christie and Carly Fiorina are also included). I have zero formal training with Photoshop and still struggle to do the most basic of skills with the interface, but I still got a kick out of my results. Enjoy!
Sun Coming Down
One look at the presidential race in the two respective parties, and it is easy to assume that the United States has lost its mind. Leading the GOP is Donald Trump, a megalomaniac millionaire who trumps himself daily with more and more offensive/ludicrous statements that somehow only bolster his standing with conservatives. Young democrats have found their flavor of the week in Bernie Sanders, a self-declared socialist whose idealistic platform seems highly unachievable in a beltway that is more partisan than ever. One can’t help but wonder how these two unlikely candidates have gained such a following.
I like to believe it’s not so much the message of this duo that has excited the American people – it’s the fact that they are outsiders. Both candidates have refused to take money from corporate entities and special interest groups, the usual suspects who have put a stranglehold on the government, making citizens feel frustrated and powerless.
The Canadian quartet Ought have mirrored this frustration in both of their releases on Constellation Records. On 2013’s More Than Any Other Day, the band boiled down this helpless feeling to a life where shopping for milk is a highlight in a world where we can only assure ourselves that “everything is okay” while always “sinking deeper.” It’s common for bands today to focus on the dystopian, apocalyptic downfall that lies ahead, yet Ought have remained focus on the mundane patterns of everyday existence that we have all passively agreed upon.