I think we can all agree that 2016 was not a great year. From terrorist attacks to deaths of beloved celebrities to the tumultuous presidential election, it’s easy to compile a list of 2016’s lowlights. What has been lost in this sea of let-downs and despair is the amount of great music that was released this past year. Once again, I’ve compiled a list of some incredible albums that hail from a wide range of genres. Give the final 20 a read through and a listen. I’m sure you’ll find something you also enjoy, and maybe you’ll discover something that strayed beyond your listening peripheral in 2016.
2016 has been a comeback year for “the album” with artists like Beyonce, Chance the Rapper, Radiohead, Drake, and Kanye West dominating news cycles with the surprising arrivals of their new full-length albums. I see this as both a blessing and a curse. As a fan of the long-form listening experience, I love that albums as a whole are getting love in the age of Spotify playlists and Pandora radio. On the other hand, many of these albums do not deserve the hype that surrounds them (i.e: Chance the Rapper’s Coloring Book pales in comparison to his last effort, Acid Rap, and Drake’s VIEWS might be the most uninspiring, uninteresting albums of 2016). Lost amidst all of this album release hoopla is a lot of the great music not getting the attention it deserves. That’s where we here at BDWPS come. Below you will find 20 original, rousing, and memorable albums that you should have been listening to instead of wasting your time with the latest Rihanna album.
(All of the albums on this list were released before June 1st. I set this cut-off date to ensure I’ve had ample time to listen and connect with albums before placing them on the list.)
[In the Red; 2016]
Since emerging from the San Francisco music scene back in 2008, Ty Segall has released eight albums (not including his two albums with side-project Fuzz, a handful of EPs, and a collaborative album with White Fence). His workhorse output has resulted in a breadth of material that can become bewildering for avid fans. Despite every album having its highlights, there comes a point where much of his garage rock anthems begin to all sound the same. There are a couple of exceptions to this commonality: 2012’s Slaughterhouse was a nice, doomy side-track, and 2015’s Manipulator was a blatant and largely unsuccessful stab at glam rock. But for the most part, Ty Segall’s sound has remained the same for the better part of eight years.