Tag Archives: field music

Top 40 Albums of 2016 (40-21)


For me, this list is the most important thing I write all year. While I enjoy all the various writing avenues I take, the “Top Albums” list is really the end-all-be-all. I’d be beating a dead horse if I discussed what a disappointing year 2016 has been, but instead, I want to focus on some of the great music released.  Once again, I’ve compiled a list of some incredible albums that hail from a wide range of genres. Give the first 20 a read through and a listen, and I’m sure you’ll find something that strayed beyond your listening peripheral in 2016.

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The Top 20 Albums of 2016 (So Far)


2016 has been a comeback year for “the album” with artists like Beyonce, Chance the Rapper, Radiohead, Drake, and Kanye West dominating news cycles with the surprising arrivals of their new full-length albums. I see this as both a blessing and a curse. As a fan of the long-form listening experience, I love that albums as a whole are getting love in the age of Spotify playlists and Pandora radio. On the other hand, many of these albums do not deserve the hype that surrounds them (i.e: Chance the Rapper’s Coloring Book pales in comparison to his last effort, Acid Rap, and Drake’s VIEWS might be the most uninspiring, uninteresting albums of 2016). Lost amidst all of this album release hoopla is a lot of the great music not getting the attention it deserves. That’s where we here at BDWPS come. Below you will find 20 original, rousing, and memorable albums that you should have been listening to instead of wasting your time with the latest Rihanna album.

(All of the albums on this list were released before June 1st. I set this cut-off date to ensure I’ve had ample time to listen and connect with albums before placing them on the list.)

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Field Music “Commontime”

Bob-Dylan-Google-Instant copy

Field Music


[Memphis Industries; 2016]

Rating: 8

Throughout the history of rock and roll, the arrival of parenthood has often marked a decline in an artist’s creativity and output. We sometimes get gems like Stevie Wonder’s “Isn’t She Lovely” and David Bowie’s “Kooks” as a result, but the schmaltzy, lackluster content that most post-parenthood artists churn out far outweighs the memorable material.

Field Music have bucked this tradition with their recent release, Commontime. The band’s past five albums were overtly busy and bookish, often riddled by a case of having too many cooks in the kitchen. The two head chefs, brothers Peter and David Brewis, both recently entered parenthood, and based off of the songs on Commontime, the distraction that having a child brings has helped the band be more carefree with their songwriting approach.

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