Tag Archives: i walked

Top 100 Tracks of 2010 (50-26)

 

50. “Real Love”

Delorean

For a song that is supposed to be about “Real Love”, it sure has a bittersweet sound. The lyric “Will we ever meet again?” doesn’t help things.

 

49. “Bang Pop”

Free Energy

I had a summer love relationship with this song. I couldn’t get it out of my mind; I listened to it any chance I had.  But now, I can’t stand the sound of it. I destroyed my adoration by loving it too much. It should probably be higher on this list, but my current feelings for it have hindered its position.  Like the Delorean song “Real Love” discussed at #50, maybe this song and I will meet again five years from now and our love will be rekindled.

 

48. “I Used to Do”

Clogs

The Clogs 2010 release “The Creatures in the Garden of Lady Walton” is all over the place. One song features what resembles a choir of whooping birds, another is a simple folk song featuring Sufjan Stevens, and others resemble baroque love serenades. Despite all these textures, my favorite song is the most unassuming. “I Used to Do”, an instrumental swell of sound, catches you when you least expect it and builds off of that emotion. Don’t be surprised if you hear this in an episode of “Friday Night Lights” next year.

 

47. “Heaven’s On Fire”

The Radio Dept

The introductory audio of Thurston Moore raging against “the bogus capitalist process” would lead you to believe you are about to hear either a passion-fueled punk rock song or an ambient build-up a la Mogwai. But neither happens. Instead, out of Thurston’s rant arises a happy-go-lucky love song about Heaven being on fire.  This combination boggles my mind…yet I love it.  Maybe it comes down to the fact that Thurston’s dream won’t happen until Hell freezes over, so we might as well love like Heaven’s on fire.

 

46. Joanna Newsom

“Good Intentions Paving Company”

While Joanna’s 2010 release was a little self-indulgent (3 CDs!), it has its moments with “Good Intentions Paving Company” being Joanna at her best: great lyrics about the journey of a broken relationship, Newsom’s endearing, warbling voice, and a melody that survives the eight minute journey unscathed.

 

45. “Who’s that? Brooown!”

Das Racist

A song dedicated to another song?  It would have to be a pretty damn good tune to deserve such recognition. Well, it is. Tribe Called Quest’s “Scenario” to be more specific.

44. “It Happened Before Our Time”

Jeremy Jay

“It happened before our time.  They disguised themselves as pirate invaders. They set out to sea and threw their love lockets overboard, as the salty air sweeps their hair.” Now that’s a romance novel I’d read.

 

43. “Fot i hose”

Casiokids

When I was eight I would have liked this song because I would have thought the bass line sounded like a dwarf farting….wait – that’s why I like it now.

 

42. “Let Spirits Ride”

Black Mountain

Somewhere Rob Halford is smiling.

 

41. “F Kenya RIP”

Highlife

What? You think this song is simple and repetitive?

Then why are you still listening to it?

And now you’re singing along to it?!

Hypocrite.

 

40. “Texico Bitches”

Broken Social Scene

This would have been the #1 song in America if they’d only gone with “BP Bitches.”

 

39. “Younger Us”

Japandroids

I like to listen to Japandroids because their energetic punk rock anthems brings me back to my carefree youth.  And now they’re singing about the yearning to be young again? Double whammy.

 

38. “I Walked”

Sufjan Stevens

“I Walked” is an auditory “choose your own adventure” book.  You have two options: be happy or depressed. If you choose to be depressed, listen to the lyrics of a  man walking away from a relationship knowing that without his lover he’ll be lost and won’t get very far.  Or you can choose to be happy by listening to this sugary-sweet pop song and block out the lyrics by shouting, “I’m not listening! I’m not listening!”

 

37. “No Barrier Fun”

Liars

“No Barrier Fun” is about a man (or a beast), trapped (or hiding) in a basement (or a dungeon).  He hears (or imagines) the footsteps of a girl (or a woman), which makes him decide to emerge (or escape) from his dark hell (or heaven) to meet (or murder) her.

 

36. “How I Got Over”

The Roots (featuring Dice Raw)

Over the past few years a lot of bands have been trying to recreate the funk/soul sound of the 70s, utilizing a variety of retro-recording techniques and employing large horn sections.  Then in one full swoop The Roots come out with their own recreation of the classic sound with “How I Got Over”, and in the process they show everyone else up.  If that won’t lead you to not giving a fuck, I don’t know what will.

 

35. “Let’s Go Surfing”

The Drums

Having your song featured in a commercial is a double-edged sword. On one hand, it gives you the opportunity to gain new listeners that you may not have reached otherwise. On the other, you alienate those who love your music by beating your melody over their head and cheapening their affection. For me, the endless loop of “Let’s Go Surfing”s whistling on car commercials has moved me to revulsion, when only months ago I couldn’t get enough of it.

34. “Machines”

Mason Jennings

My favorite documentary of the year was probably “180 Degrees South”, although I’m not sure how many other documentaries I actually saw in 2010. Throughout the film, glimpses of Mason Jenning’s “Machines” emerge, but the big pay-off comes when Doug Tompkins reaches Patagonia only to find that industrialization has scarred the majestic terrain. The lyrics support this message with Mason singing an outro of “The machines are gonna cut us down!”

33. “Butt-House Blondies”

Ariel Pink’s Haunted Graffiti

Of any song this year, “Butt-House Blondies” is the one I sang the most around my apartment. Not a day goes by that I don’t stroll around my humble abode singing, “Butt-house Blondies! She used to care!”  For the first month, my roommate would always ask what song I was singing. Eventually, he figured out it was Ariel Pink and learned to ignore me. But one day he returned to his questioning ways asking, “What is a Butt-House Blondie anyway?”  I hadn’t thought about it.  Then, after reading the lyrics of “She used to be a square at 16; now all she knows is she can breed” I figured it out. This song is about Jodie Foster’s character in “Taxi Driver”!

32. “Excuses”

Morning Benders

“Excuses” has a dreamy, innocent 1950s sound, but I doubt Ricky Nelson ever sang about taping his “tongue to the southern tip of your body.”

31. “White Sky”

Vampire Weekend

What if instead of Africa, Paul Simon recorded “Graceland” in Super Mario World?

30. “Answer To Yourself”

The Soft Pack

I recommended this album to you back in June, and I also included the same video clip below for the best song on the album “Answer To Yourself”. If you still haven’t bought The Soft Pack’s 2010 release, you can answer to yourself why you’re so lame.

29. “Pimpin’ Chipp”

Method Man, Ghostface, Raekwon

Me, me, me, me, me. These days, that’s all rap is about…that is except for the members of Wu Tang who still understand the art of the narrative.  In “Pimpin’ Chipp” the three MCs create a comical story of a pimp, his hoes, and a run-in with Ray Charles.

28. “Real Life”

Tanlines

When Michael Vick wins the MVP this year, I’m hoping NFL films has the foresight to play “Real Life” over highlights of him.  Just look at the lyrics and tell me this isn’t Vick’s swan song in 2010:

“For a minute I was lost,
I looked away
Trouble was, I was alone,
Trouble was, I was alone.
You might think I’m still that way.
It’s only natural
It was a past life thing-
It was a past life thing-
It wasn’t anything at all.”

27. “Castles in Snow”

Twin Shadow

“You’re my favorite daydream. I’m your famous nightmare. Everything I see looks like gold. Everything I touch turns cold.” So yeah, not only does it sound like a 1980s song, but its lyrics could have easily been pulled from the journal of “American Psycho’s” Patrick Bateman.

26. “King of the Beach”

Wavves

I like to sing along to this song, but I change the chorus lyrics to “Bash at the Beach!” and giggle to myself, imagining this as a theme song to an old WCW pay-per-view.

Leave a comment

Filed under Top Songs Lists

“Age of ADZ” Sufjan Stevens


Sufjan Stevens
“Age of ADZ”
[Asthmatic Kitty, 2010]

RATING: 8

“What the hell are you doing Sufjan?!” This is a statement I made upon listening to his latest album “Age of ADZ” for the first time: his banjos replaced by synths, his acoustic finger picking transformed into an overtly processed electric guitar played through a multitude of effects pedals, his religiously inspired lyrics of hope turned apocalyptic and ominous. Had Sufjan lost his mind? The three albums released this year (yes, three!) have been all over the place: “BQE” – an ode to an interstate, “All Delighted People” – an EP response to Simon and Garfunkel’s “The Sound of Silence”, and now “Age of ADZ” – a bio-album on the late-great schizophrenic artist, Royal Robertson.  It seems Sufjan has ditched his 50 states project for the moment in preference to albums focused on obscure, darker subject matter.

Robertson’s story is one of legends: a self-proclaimed prophet who, after 20 years of marriage, chose his art over his wife and children.  Living the remainder of his life in a secluded trailer, Roberston drew and painted the images found within his hallucinatory visions of space travel and the end of all mankind at the hand of aliens.  While Sufjan’s 50 states albums are filled with songs that are either celebratory or bittersweet, “ADZ” is, as you can probably imagine, pretty depressing.

But I’d be fooling you if I said this was an album solely about Roberston and his art. In truth, “ADZ” is Sufjan’s most autobiographical album to date. In the past, people have questioned whether the tales shared in classics like “Romulus” and “Casimir Palaski Day” were works of fiction or based on real life experiences, but there is no doubt that the pain expressed on “ADZ” is coming straight from Sufjan’s heart.  In the same way Roberston chose his art over his wife and children, Sufjan recently went through a difficult break-up which I’m venturing to guess may have been due in part to his obsession with his own art (did I mention he came out with three albums this year?).  I’m not just jumping to conclusions here; on “The Impossible Soul”, a song Sufjan himself described as a 25-minute-psycho-analysis, we hear the haunting female voice of Shara Doren (My Brightest Diamond) pleading “Don’t be distracted, don’t be distracted! Do you want to be alone?” to which Sufjan replies “NO I DON’T WANT TO FEEL PAIN!”  Sufjan was drawn to Robertson for more reasons than his art; their stories seem parallel at times.

Here’s the first 12 minutes of the 25 minute song. The female pleading comes in at the four minute mark while the auto-tune makes its appearance 10 minutes in:

Even Sufjan’s signature sound has taken a turn for the frantic, each song crammed with clamorous, processed drum tracks, and a mixture of nondescript squeaking-buzzing-static that thrives from one song to the next.  It is noise; pure and simple, and it can be a bit overpowering at times.  He has talked in interviews about his experimentation with drum machines and synths, and it sounds like “ADZ” is his vehicle for displaying some of his most alarming music yet.  The viscous atmosphere of racket can be as overwhelming as the insides of a fully-operating auto-manufacture plant.  At one point he even goes so far as to insert an auto-tuned voice (“Impossible Soul” again), but in Sufjan’s hands, the once annoying musical crutch takes on a feeling of disconnect with mankind.

As if the mechanical malfunctioning isn’t enough, Sufjan pairs it with an over-the-top, John Williams-style orchestra, backed up by a choir of angelic female voices.  The results are strange, science fiction style arrangements that emulate Royal Roberton’s art style.  His drawings, filled with futuristic imagery, are done in a cartoony, comic book style, and the same can be said about Sufjan’s travel into the world of synth.  Yes, it’s fantastical and other-worldly, but it’s also a caricature of a space-age sound, like something from a demented Disney film.

Tell me we’re supposed to take the title track as a serious attempt at apocalyptic music; try convincing me:

The songs on “ADZ” remind me of a lot of the literature of Kurt Vonnegut, a strange declaration, I’m sure.  Vonnegut is often referenced as a “science fiction” author, but this label doesn’t sit well with me.  Yes, Vonnegut often wrote of time travel, aliens, and life on other planets, but it’s not done in the same way a Phillip K. Dick or a Ray Bradbury would approach it.  He isn’t writing of these places and events to entertain nor is he trying to convey them with realism. Instead, he’s using them as a vehicle for conveying a larger message about humanity.  The songs on “ADZ” are done in such an over-the-top space-age motif that it’s difficult to take them serious, which in the end is the point. On surface it’s an album of robot take-over and the arrival of Judgment Day, but any able-minded person knows that Sufjan is talking about the demons within his soul, battling it out, not of UFOs and killer volcanoes.

One of the biggest battles is seen in “Vesuvius”, a musical version of “Joe Vs. The Volcano” (also my favorite track on the album):

After a few listens, my once bewilderment was replaced with a reaffirmed reverence for Sufjan and his ability to create albums that convey not only a tone but also a setting. With his proclivity for writing thematic opuses, “Age of ADZ” is just one more chapter in his series of complete works of art. It’s obvious the man understands the elements that make a grand album, which could explain why it took him so long to release another one after “Come On Hear the Illinoise”.  At the same time, I can’t place this album in the same pantheon as “Seven Swans” and “Greetings From Lake Michigan”.  It’s a great; don’t hear me wrong here, but with all the noise, something gets lost in the tracks.  Deep beneath the bedlam you can hear a great song, and you get why Sufjan made it such a raucous, melo-dramatic affair, but part of you will always be left wishing for more of those cornerstone classics that past albums have had.

“I Walked”: another instant classic from the album. No banjos, just classic 80s synth:

Leave a comment

Filed under Album Review, Best New Albums