Father John Misty
I Love You, Honeybear
On the latest BDWPS Podcast (check it out here), I took a look back at the music that defined the year 1972. One of the most popular genres at the time was the singer/songwriter movement. While Bob Dylan certainly “brought back” the folk movement in the early 60s, artists like Carole King, James Taylor, Cat Stevens, Don McLean, Harry Chapin, and Jim Croce took this personal approach to songwriting and made it more palatable to the masses. Their songs were simple odes to the power of love and appreciation for the simpler things. These artists may have dominated the mainstream, but during that same time, a different vein of songwriters were releasing a strange mix of melodies and storytelling that didn’t fit within the cookie cutter constraints of the radio friendly folkies. Guys like Randy Newman, Leonard Cohen, and Harry Nilsson were creating innovative songs that strayed outside the norm. Sure, they still all had a knack for melody, but their lyrics were filled with cynicism, humor, and despair.
Father John Misty (real name J. Tillman) is a welcomed throw-back to this unconventional approach to songwriting. There are certainly a large of amount of singer/songwriters out there today creating songs that are weird and avant-garde, but the difference with Father John Misty is his voice. It’s soft and smooth like velvet. It’s rich and strong like mahogany. It’s magical and hypnotic like the northern lights. At times his voice reminds me of Nilsson, at other times it conjures up memories of Jeff Buckley. I shouldn’t be so shocked that a professional musician has such a phenomenal voice, but guys who sing about running down the road naked on hallucinogenic drugs aren’t supposed to sound this good.