Low on resources, I recorded today’s podcast on an old tape recorder I found in the garbage at work. The result is the first ever lo-fi podcast. On this podcast I discuss some of my favorite summer albums of 2012, and I visit a few tracks that have been stand outs for me this past month including James Brown, Real Estate, Yellow Ostrich, and much, much, more. Check it out here or look up BDWPS on iTunes and subscribe.
The Soft Pack’s music is a lot like the infamous tight-roper Phillipe Pettit: it teeters between the ram shackled reverb of the garage and the slick, streetwise attitude of the West Coast, yet they somehow balance their alter-egos with ease. Never has garage rock sounded so smooth. Their 2010 self-titled release rolls out before you without hesitation, one song after another picking up where the prior left off, continuing this Army-brat band’s direct assault of surfer guitar solos and matter-of-fact vocals. There isn’t one song that stands out as the “hit”, yet there isn’t a song you can bring yourself to skip past. Like Pettit, who conquered city skyscrapers one step after another, Soft Pack methodically satisfy, one great song at a time.
This video for “Answer to Yourself” reminds me of all the dumb stunts my friends and I used to pull while working at the swimming pool:
9. Kings go Forth“The Outsiders are Back”[Luaka Bop Records]
Have you ever wondered what Sly and the Family Stone would sound like with bongos? What about a James Brown with a higher register and a jazzier backing band? Enough with the rhetorical questions; I’ll get right to the point: Kings Go Forth may be a call-back to classic 70s funk, but as their name suggests, the sound goes forth, diverging in new directions while still yielding that retro-vibe of the soul kings that came before. Singer Black Wolf gives the album that classic 70s vocal display while the production of Andy Noble provides a modern edge. Summers of the past have been labeled a variety of “explosions” (ska, latin, british), and this year looks to be the explosion of soul.
Overall, a pretty lame video for the song “One Day”, although the cut scenes of records being made is like watching “How It’s Made”:
8. Free Energy“Stuck On Nothing”[Astralwerks/DFA]
I’m embarrassed that I like this album. The cover to “Stuck On Nothing” is hokey and easily a contender for our year end “Worst Album Cover” list. The production is polished and conventional. The music is nothing new: joyous melodies reminiscent of Thin Lizzy (this is the first time I’ve mentioned Thin Lizzy in an album review without bringing up the two-guitar-lead; kudos to me!). But despite all these setbacks, I can’t lie to myself; there are some great fucking songs here. In fact, “Stuck On Nothing” has the potential of being one of those albums where 80% of the songs end up becoming Top 40 Hits. But I doubt it will happen. You won’t see any Disney shows called “Free Energy” nor will you witness the band flipping off the New York Mets for publicity. They are simply a rock band from Philadelphia who happen to write kick-ass melodies. Remember the days when that’s all it took to make it big in music?
The downfall of the MTV that actually played music? High School themed music videos:
7. Woods“At Echo Lake”[Woodsist]
I understand this list is flawed. Summer music isn’t simply restricted to albums released within that year. It goes without saying that each July a moment will arise where I’ll dig up some old Neil Young for those long drives back to Iowa. I guess my goal here is to introduce some new music that you can check out this summer or possibly pull out in future years when in need of some cheer. But if you need a replacement for that “Tonight is the Night” album that you’ve played to death, the Wood’s “At Echo Lake” might be that modern Neil Young stand-in. I know, I know, that’s a huge statement and I wouldn’t dare to suggest that Woods are even in the stratosphere of Sir Neil Young, but you’ve got to give these kids credit. With innocent, falsetto vocals, and natural, weeping guitar solos, this lo-fi outfit seems to be on the right path toward someday being able to sing, “Neil Young take a look at my life I’m a lot like you.”
The ultimate sign of a cool band? Not having one music video on YouTube:
6. Tanlines“Settings”[True Panther]
I used to love getting tanlines when I was a kid. There is just something so strange about that distinct line that forms between the sun burnt red skin, the bronzed tan, and the pasty white flesh, resulting in the appearance of a human neapolitan. “Settings”, the six song EP from Tanlines, follows that same neapolitan form with several distinct auras bouncing off each other but never crossing that line toward unity. While the album relies heavily on the tribal rhythms of the djembe and steel drum, a pounding dance bass line throbs throughout each song as well, springing off of the more natural, earthy tones. The final layer of 80s pop sensibility will be burned into your memory way before you apply to sun block.
Seattle’s KEXP undoubtedly does the best job of in studio performances:
5. Morning Benders“Big Echo”[Rough Trade]
The cover to “Big Echo” says it all: a swimmer stands knee-deep in the forefront wearing a full body swimsuit and a swim cap, staring out into the vast expanse before him where other swimmers are already enjoying the ocean’s swell. He seems tentative, yet intrigued, just like the Morning Bender’s sound on this album. Like the flowing of the tide, the music moves fluidly between several genres. It begins planted in the simple, serene 1950s-style confines of the shore, and then before you know it, you are caught up in the gushing experimental expanse of the ocean, taking the listener off into uncharted territory. Their more mainstream side leans towards a laid back Phoenix, while the experimental splashes remind me of the Ruby Sun’s 2008 offering “Sea Lion”. As much as I enjoy The Morning Bender’s sandy beach love songs, I always find myself awaiting that next big wave of sound to whisk me back away to the enchanting sea of sound and hope that it won’t return me to the shoreline.
Who needs a video for “Excuses” when you’ve got an album cover like this:
4. Sharon Jones & the Dap Kings“I Learned the Hard Way”[Daptone]
A few years ago while visiting my friend Sewer in Lake Havasu, Arizona, we spent our afternoons lounging in the swimming pool, drinking margaritas, and listening to Hepcat, the SoCal ska band that we saw perform while still in high school. In our drunken reverie we’d sing along to the sweet melodies and dance amid the lukewarm water as the blaring horn section blew out their minds. Why am I bringing this up? No, Sharon Jones and the Dap Kings aren’t a ska group, and my friend and I have never sang along to their music. The reason I bring up this up is because every time I listen to Sharon Jone’s latest release “I Learned the Hard Way” I can’t help but be brought back to my memories of Hepcat over the years. There isn’t even a hint of ska in Sharon Jones sound, in fact her sound is straight up funk/soul of the 60s and 70s. I guess the connection is due simply to the combination of upbeat harmonies set next to a jovial horn section. Then again, I don’t remember Hepcat ever having such a soulful, passionate voice or writing such fiery love songs.
Sharon Jones is a musical Jackie Brown:
3. Surfer Blood“Astrocoast”[Kanine]Don’t let the youth of Surfer Blood fool you; these kids understand the power held within their six-strings. The guitars of Thomas Fekete and John Paul Pitts complement each other in the same way I imagine it may sound like if Doug Marsh and Dick Dale joined forces. The band succeeds at blending the surfer guitar licks of old with distorted riffs reminiscent of Pavement. Back in March, I’d been listening to “Astrocoast” two weeks leading up to SXSW, but when I actually saw them perform, all thoughts of it simply being a happy rock album were erased. Watching the guitar work of these Florida youths had me in awe. At first glance, “Astrocoast” is simply fun, but if you delve deeper there is a darker beast brooding beneath the surface; a creature that craves to devour your pop sensibilities and digest them whole.
I like how in this performance of “Take It Easy” half of the band is filmed on surveillance camera in what resembles a panic room:
2. The Amazing“s/t”[Subliminal Sounds]
It’s that time of year again when a company airs a commercial laced with happy summer imagery, all set to the music of the late great folk hero Nick Drake. This season’s offering is an AT&T commercial set to Drake’s “From the Morning”, because really, what says “better coverage” than Nick Drake? But I get what they are going for: Nick Drake’s soft serenades fit perfectly with the calming spirit of the summer, which leads me to the Swedish side-project The Amazing (two members of The Amazing are from Dungen). On this project, Gustav Ejstes moves away from the psychedelic and focuses in on the same warm approach that Nick Drake mastered decades ago; it is pulled off brilliantly on the self-titled LP. Every song swells with emotion, all bottled up in Ejstes soft, tranquil voice, warbling on command, guided by the docile strumming of acoustic guitars. The fact that this album actually came out in December of 2009 may make this entire 2010 list a bust, but the idea of this warm album not getting the chance to see the sunlight is a thought that sends shivers down my spine.
The only thing missing from this video are images of people talking on their AT&T phones:
1. Fang Island“s/t”[Sargent House]The opening track to Fang Island’s self-titled album features the sound of fireworks popping, reminding me of when my dad used to take us out on the 4th of July in his fishing boat to watch the display over Spirit Lake. “Dream of Dreams” multi-layered, Queen-like chant brings me back to the year “Wayne’s World” came out and how whenever the song “Bohemian Rhapsody” came on the radio my brothers and I felt compelled to re-enact the famous car scene. “Davey Crockett” has a swirling synth/guitar line that conjures up memories of watching “Reading Rainbow” with my brother Alex and laughing our asses off at the strange synth outro, and then commencing to imitate it the remainder of the day. “Careful Crossers” punk rock anthem reminds me of the summers my friends and I would make trips up to Sioux Falls, South Dakota to see punk bands sweat it out at the now closed Pomp Room. “Daisy” and its organ heavy backing track transports me to the summer I worked the late shift at a gas station and listened to Bob Dylan’s organ-heavy “Blonde On Blonde” while selling cigarettes to meth addicts. “The Illinois” is filled with guitar solos that almost seem stolen straight from classic video games, pulling my conciousness back to the days when, after a long day at the swimming pool, my friends and I would ride our bikes to the video store to rent the latest Nintendo game. Simply put: Fang Island makes me feel like a kid again. And isn’t that what summer is all about?
You may want to be annoyed by this video for “Daisy” and it’s cast of characters, but by the song’s end, I dare you to not enjoy their antics within the confined space:
With the finale of “LOST” approaching us this Sunday, I decided I’d take a moment to look at the role music has played in the show. Not the orchestration, as fantastic as it is, rather the use of popular music through the past six seasons. I understand that many of the song choices are due to their thematic connection, but I’m going to ignore those links altogether and judge the characters’ music choices on face value with one question in mind: who on the island has the best taste in music. I’ve had this question in my mind since I began viewing the show back in January. That’s right: six seasons in five months. I’m not proud of this fact, but I’m glad I went all in on this ground-breaking show.
10. Desmond Hume
The song that everyone associates with Desmond is of course Mama Cass Elliot’s “Make Your Own Kind of Music.” This is due to the fact that when we first met him he was blaring this song in The Hatch. Now, I understand that Desmond’s music choices were limited to only the stack of records kept in his little bunker, but to play this corn-ball garbage in the morning while doing dishes and sit-ups is a bit suspect. Even when not stuck in the hatch his taste blows. While lying in bed in another life (brotha!) he is listening to Sarah McLachlan’s “Building a Mystery”. What a romantic hack! Desmond doesn’t make this list because he has the tenth best taste in music, rather his taste is the worst.
9. John Locke
John always meant well. No one can deny this. He was a romantic at heart and was foolish enough to think things happen for a reason. Hence, his music choice while eating breakfast with Helen is George Jone’s “I’ll Share My World With You”, when we all know that he won’t (unless it’s an alternate future of course). George Jones fits the classic country mold, although he seems a bit forced at times. John redeems himself in another episode with a song that seems more fitting for the perpetual loser. While driving in his old rusty truck, John listens to Muddy Water’s “I Feel Like Going Home”. Not only do the blues perfectly portray the turmoil that Locke must endure, but throughout the show he truly is looking to go home. Unfortunately, not even the island is John’s home sweet home. Poor fella.
8. Kate Austin
Kate is a one trick pony when it comes to her music choices, or I should say music choice. Patsy Cline, Patsy Cline, Patsy Cline: that’s all Kate is ever listening to in any flashback or flash-forward, regardless of what alternate future or past is taking place. We get the connection writers, you don’t need to shove it into our earholes. Yes, Kate often goes “Walking After Midnight” like a scavenger, and “She’s Got You”, whether that you is in reference to Jack or Sawyer. I never understood Kate’s attraction to Sawyer and his snake-skin salesman ways, but then again, this is the same girl who tried stealing a New Kids On the Block lunch box. Fortunately for Kate, I’ll forgive her bad choices in life due to her good ones. Jack Shepherd is the man, and I have to admit that I’ve got a soft spot for old Patsy and her heart-wrenching tales. I just wish the girl would give Mrs. Cline a break once in a while (even If that means a quick listen to “Hangin’ Tough”).
7. James “Sawyer” Ford
Sawyer is known for his wise-cracks and pop-culture references, and this of course means a few music based comments like calling Frank “Kenny Rogers” or mentioning Jimmy Buffet’s “Coconut Telegraph”. But none of his comments seem to delve deep into the music world like his allusions to old TV shows and movies. We didn’t get much of a sense of Sawyer’s music taste until this final season when we find him hiding in one of the old Dharma cabins listening to Iggy and the Stooge’s “Search and Destroy”. What better song to listen to when you’re seeking revenge for the death of your girlfriend? But then of course, ol’ Sawyer lost huge points, at least in my book. When the smoke monster first flies by the house Sawyer is listening to “Search and Dstroy” inside. Old Smokey continues on his way, talks with Richard for 10 minutes, and then finally decides to return to visit Sawyer. When he returns, the same song is playing. This would mean that James “Sawyer” Ford listened to the song, got up, moved the needle on the LP back to the same song, and listened to it several more times. Don’t get me wrong, “Search and Destroy” is a great pop-punk song, but the album it’s featured on, “Raw Power”, is even more incredible. I’ll give Sawyer credit for listening to The Stooges, but no one should ever start “Raw Power” and not listen to it straight through. It’s sacrilege. (I do have to point out that “Search and Destroy” is actually about the Smoke Monster/John Locke, both quintessentially being the “forgotten boy”).
This clip is in Spanish, but you get the point:
6. Charlie Pace
You would think the rock star on the island would be the shoe-in for best music taste. Not so fast my friend. Charlie’s Brit-band Drive Shaft was simply a one-hit-wonder, and “You All Everybody” is the type of musical fare you would hear at the beginning of a Peter Engel Saturday morning TV show like “Saved by the Bell” or “California Dreams”. Anytime Charlie’s meal-ticket began playing, I’d cringe. I would like to blame the utter shitt-iness of the song on his brother Liam, but Charlie was the “talent” of the band, writing all the songs. So why is Charlie ranked sixth if his songwriting was so lacking? He gave glimpses into his music taste on occasion, whether it be singing a Kinks song to pass the time on the island or his “Strawberry Fields Forever” tattoo. Sure, no one can forgive Charlie/Merry for playing Oasis on a street corner, but here at BDWPS we can’t hate on a guy who is also seen at one point wearing a Bob Dylan “Highway 61 Revisited” t-shirt. Bob Dylan Loves Drive Shaft. You heard it here first.
5. Mr. Ecko
I think this is just a sympathy pick. Mr. Ecko was easily my favorite addition to the show, yet the writers had to kill him off before we really got to explore the psyche of this profound character. In one scene you can hear Ecko listening to Femi Kuti’s “Eko Lagos”, a great choice simply due to the song title. Who is Femi Kuti? The son of the great Feli Kuti! Who’s Feli Kuti? Watch your mouth! Basically, Femi Kuti is Nigeria’s version of Sean Lennon if Sean Lennon had talent. Over the years, Femi has explored afro-beat music, pushing his father’s legacy into new directions. The fact that Ecko is listening to this song at a bar may make his placement at number five a bit suspect, but I’d like to believe Mr. Ecko sauntered over to the jukebox to pick this song prior to the start of the scene. Call me a dreamer.
4. Pierre Chang–
You would think of a scientist as being uptight and not having interest in pop music, but Pierre Chang proves that even a scientist can make a little time for Willie Nelson. On a beautiful morning in Dharma-ville, Dr. Chang wakes up and decides that the best way to start the day for his wife and son is to listen to Willie Nelson’s “Shotgun Willie”. This moment is the only glimpse we really get into the minor character Chang’s personal life, but it’s enough for me to deem him a lover of music. At the moment, I can’t think of a better way to start a day than to listen to Willie Nelson.
3. Juliet Burke
We actually only hear Juliet listening to one song, and if I based my decision on this choice alone she would rank near Desmond. While prepping for her book club, she has Petula Clark’s “Downtown” playing loudly on the stereo. She’s listening to the same song when driving with Rachel up to the guardhouse. This song isn’t necessarily horrible, but it isn’t great either. Personally, I can’t hear “Downtown” without thinking of the “Seinfeld” episode where George Constanza tries to unlock the secret of the song. The secret to Juliet’s great taste in music lies in her CD collection. Before putting “Downtown” in the CD player, she fumbles with the Son Volt CD “Okemah and the Melody of Riot”. Not only does Juliet like classic 90s alterna-country, but she then picks up a CD case for the Talking Head’s “Speaking In Tongues”. Son Volt and Talking Heads? Now that’s my kind of girl! The fact that she chose Petula Clark over these two incredible albums is beyond the point. Could they have possibly been Goodwin’s CDs? I won’t entertain the question, God rest his soul.
2. Jack Shephard
Once stuck back in his normal life, Jack realizes he made a huge mistake by leaving the island. He goes through a major depression and is often seen listening to essential early 90s grunge like Nirvana’s “Scentless Apprentice” and The Pixies “Gouge Away”. I can’t imagine my doctor listening to these raw, vicarious grunge tunes, but Jack’s not your average doctor. He’s a perfectionist, and when things don’t go as expected, he lets things fall to pieces, one gouge at a time. I love the fact that the eventual hero of the show (I’m calling it now) is deep down, a broken, emotional wreck.
1. Hugo “Hurley” Reyes
Hugo is the obvious pick here, as much as I tried convincing myself that Jack was the true music fanatic of the island. There are several details that I can’t deny. First off, Hugo is the only person who actually listens to a portable music device while on the island. The fact that a lottery winner is listening to a Disc-Man says a lot about Hugo’s hipster leanings. Instead of going the digital route with an MP3 player, Hugo still clings to his physical media. Heck, his first stop after winning the lottery is the record store! And while there, he asks the clerk to go to a Hold Steady show with him. Hurley’s taste in music runs the gamut, ranging from James Brown to Damien Rice. But the best insight into Hurley’s knowledge of music lies in his references. For example, when talking to Mrs. Trahn, his servent, he calls her “Lady Tron”, an obscure music reference to the Roxy Music song of the same title. This comment alone demonstrates a true grasp of music history (and music snobbery at that). Hugo may not have any Femi Kuti or Pixies in his record collection, but his consistent display of musical insight is unchallenged by any other castaway of Oceanic Flight 815. His ability to talk to dead people may come in useful after all; “Jimi, are you out there?”
A classic Hugo moment; his Disc-Man’s batteries finally die: