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Action Bronson “Mr. Wonderful”

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Action Bronson

Mr. Wonderful

[Atlantic/Vice; 2015]

RATING: 8

Remember when hip-hop was fun? My adolescence was filled with the entertaining, harmless anthems of MC Hammer, Vanilla Ice, and Tone Loc. “Hip Hop Hooray,” “Jump Around,” and the “Humpty Dance” were the soundtrack to my middle school dances.  Kids wore their overalls backwards to emulate Kriss Kross and oversized Starter jackets like ABC (Another Bad Creation, yo!). Queen Latifah reigned supreme, Run DMC were the “Kings of Rock,” and Will Smith was The Prince of Bel Air.  Sure, acts like NWA and Public Enemy were anything but fun, but at that time, their hard-cutting verbal assaults were the minority to the more common, party approach to rap music.

Things changed with the dawning of gangsta rap. I’m not suggesting that Dr. Dre and Snoop Dogg didn’t know how to have a good time, smoking their indo while sippin’ on gin and juice, but their songs took the genre into more violent, brooding territory. No longer was it cool to rap about how you can “Bust a Move” or how you wish you were a little bit taller, wish you were a baller, wish you had a girl, if you did, you would call her. Many artists tried to toughen up their image (gangsta MC Hammer was my favorite), but their efforts were transparent to fans that wanted stories of the streets from those who lived it.

Since that mid-90s mood shift, hip-hop has remained grounded in the more menacing approach, rappers boasting their worth in diamonds, clothes, and cars, MCs regaling their days as drug dealers and gang members. That’s what makes Action Bronson’s major label debut Mr. Wonderful so refreshing – it’s a throwback to the days when rappers were more interested in promoting a good time than themselves.

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Questioning the Scripture of Bill Hicks

Let’s face it – Bill Hicks was a genius.  Taking a cue from the all-time great George Carlin, Hicks infused his rebellious comedy routine with a heavy dose of philosophy. His views on society, government, religion, and drugs are still thought-provoking and profound 20-years later.  Recently while watching his 1992 special Relentless I had a moment of confusion.  While talking about the music industry’s penchant for performing fellatio on the Devil, Hick’s quipped, “Let me tell you something right now, you can print this in stone and don’t you ever forget it: any performer who ever sells a product on television is for now and all eternity removed from the artistic world.”

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