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Top 40 Albums of 2016 (20-1)

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I think we can all agree that 2016 was not a great year. From terrorist attacks to deaths of beloved celebrities to the tumultuous presidential election, it’s easy to compile a list of 2016’s lowlights. What has been lost in this sea of let-downs and despair is the amount of great music that was released this past year. Once again, I’ve compiled a list of some incredible albums that hail from a wide range of genres. Give the final 20 a read through and a listen. I’m sure you’ll find something you also enjoy, and maybe you’ll discover something that strayed beyond your listening peripheral in 2016.

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Marissa Nadler covers Black Sabbath

Okay, so right off the bat I should warn that this isn’t actually a video clip (as advertised above). Today I’m going to highlight a couple audio clips from Marissa Nadler’s SoundCloud page, and I didn’t know what category to put this under. I could have created a new category called “Audio Clip of the Week” but that has the potential of never being used again.

The other day while I was perusing Twitter (you can follow us: @BDWPS), when I stumbled upon a post by Anthony Fantano of The Needle Drops fame. I follow Fantano because he has his finger on the pulse of new music, sometimes alerting me to artists I may not have heard of.  Personally, I find his YouTube video album reviews to be a little too much about promoting himself and not enough about promoting great music, but I digress.

His ear for music can not be discredited, as seen in a short post he put up this week with a link to Marissa Nadler’s Soundcloud page, saying that she’d covered Black Sabbath’s “Solitude.”  As a longtime supporter of Nadler and her unique brand of doom folk, I had to give it a listen. I’m not always a fan of covers because in most cases, artists just do their best impression of the original. This is what makes Nadler’s clip so amazing. Instead of trying to do some acoustic take on Sabbath, Nadler makes it completely her own and the result sounds almost nothing like the original. While the original version is calm and regal, Nadler’s version is a haunting dirge.

As I perused her Soundcloud page, I discovered that she’s been posting gems for the past year, including a fantastic cover of Elliot Smith’s “Pitseleh,” an ironic take on Father John Misty’s “Hollywood Forever Cemetary Sings,” and an epic vocal arrangement of the Game of Thrones theme song. There’s also tons more goodness to be had, including covers of Radiohead, Daniel Johnston, and Townes Van Zandt. Check it all out here: https://soundcloud.com/marissanadler

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Best Album Covers of 2011

20. Hello Echo

“Hello”

I placed this cover at the bottom of my list because I’m not sure if it’s actually a great cover, or if I’m just in love with the idea of a battle between a giant tree (or ent) and a robot building pulled straight from the movie “Big” (“I don’t get it! I don’t get it!”). If only they had thought of this concept for the movie “Real Steel”; it may have actually be watchable.

19. Friendly Fires

“PALA”

Friendly Fire’s guitarist says of their 2011 release “Pala”: “Our goal is to make vibrant, wide screen songs, but they must retain spontaneity, have an energy and mysticism around them.” Add the fact that their music is often labeled “tropical disco” and you’ve got the perfect cover for “PALA.”

18. Autre Ne Veut

“Body EP”

Um, so yeah…um, this is a picture of…well, um…you know. I questioned whether this was one of the best or worst covers. Is it pornographic or scientific? Is it alluring or disgusting? I came to the conclusion that a great cover should cause this type of uncertainty, stir up these questions, and add to your listening experience. When else would you be forced to try making a connection between stripped-down R&B and…well, something that rhymes with Mulva.

17. Iron & Wine

“Kiss Each Other Clean”

The good news: Iron and Wine’s cover for “Kiss Eachother Clean” is colorful, original, and refreshing. The bad news: the same can’t be said for the stale music on the album.

16. Braid

“Native Speaker”

I’m a sucker for a cover that doubles as optical illusions (check my number one cover back in 2009), and the cover for Braids “Native Speaker” satisfies this need. What at first may seem like a blasé portrait of the view through a shower door will soon have your eyes crossing and seeing visions like you're tripping off the vapors from a Sudafed shower tablet.

15. Thee Oh Sees

“Castlemania”

So what do you think will make the monster more furious: when he realizes it's a toy phone or that it’s a rotary?

14. Brooklyn Rundfunk Orkestra

“The Hills are Alive”

Flowers and mountains, and green growing pastures, Blue skies, and white clouds, and hairy goat faces, these are a few of my favorite things!

 13. BOAT
“Dress Like Your Idols”

Wearing your influences on your sleeve is so old hat. Wear them on your album cover! (I recognize seven of the nine album covers parodied here. Can someone help me and specify the albums in the top two squares of the right column? I feel like a hack for not knowing).

12.Gillian Welch

“The Harrow and the Harvest”

So you’re telling me that the guitarist from Baroness drew the cover for a country artist? BAD. ASS.

11. Young Galaxy

“Shapeshifting”

Can someone help this poor girl? Is her face glued to the floor? Are her feet excessively buoyant? Or is her bra stuffed with bricks?

10. Radiohead

“King of Limbs”

I’ll admit it – “King of Limbs” didn’t live up to expectations. It’s too short (37 minutes!), there’s none of the jaw-dropping songs we’re accustomed to, and simply put: it’s not “In Rainbows” (no one could have followed that album up; give them some slack!). Despite all its short-comings, the band still delivers with some truly haunting album artwork that is part graphiti over a photograph of trees and part demented rejects from Pac-Man (Blinky! Is that you!?)..

9. Jay-Z and Kanye West

“Watch the Throne”

If you’re going to have album called “Watch the Throne” you better bring the goods when it comes to packaging. Kanye and Jay-Z don’t disappoint with a Riccardo Tisci designed album cover that resembles a decadent engraving in gold. With its intricate embroidery and textured surface, it’s the coolest “golden” packaging since “The Legend of Zelda” (Zelda’s ‘bout to go HAM!).

8. Luke Temple

“Don’t Act Like You Don’t Care”

As a kid, if you ever imagined your drawings coming to life, this is what it might look like. I love the sheer chaos of the image coupled with the childish, messy style. This scribbly aproach gives the cover movement, and if you look at it long enough, the little fellow on the bike might just get away after all.

7. Discodiene

“S/T”

Taking advantage of primary colors, this cover shows that simple is sometimes better. Without the red lions, the blue cavern, or the yellow light of hope, this would be just another classical black and white drawing. Just think, with the help of Photobucket picture editor, YOU could make the top 20 list next year!

6. Bon Iver

“S/T”

I actually didn’t appreciate this cover when I first saw it. In fact, I found it to be a bit hack (a secluded cabin in the woods…WE GET IT JUSTIN!). Then I saw a short youtube clip showing the progress of making the cover and saw nuances I’d never noticed. Realizing this was in fact a multi-media, 3-dimensional masterpiece, I had to take all my pessimism and hide it in that pathetic little cabin in my soul.

The video clip that changed my tune:

5. Gang Gang Dance

“Eye Contact”

So much depends upon a grasshopper, glazed with morning dew, atop a green plant.

4. J. Mascis

“Several Shades of Why”

Mark Spusta, the artist who made the fantastic cover for Dinosaur Jr’s “Farm” is back, and this time he takes cool to all new territories. Yes, it’s trippy and wild and all that “Farm” had with its attack of the trees imagery, but it’s also cute in a “Hello Kitty” kinda of way. Yet, it’s still somehow a deeply depressing image. It’s rare that a color pencil drawing can conjure up so many reactions. When is this guy going to get a movie deal? Enough with Pixar; I want to explore the strange world found in Spusta’s mind.

3. Erland and the Carnival

“Nightingale”

Every year my list inevitably contains a cover that features a photograph that is either retro or that captures the energy of the music. This cover accomplishes both with a girl appearing to float amidst a room filled with 70s nostalgia (is that a poster of “Columbo”?). The cover’s greatness is furthered when the background of the photograph is revealed: this is a picture taken of Janet Hodgson, a girl supposedly possessed by the devil back in the 70s, being thrown across the room by the evil spirit. Poltergeist has never looked this fun.

2. Cut Copy

“Zonoscope”

In 2011 we saw the media try and convince us that a hurricane was going to hit New York (they also tried to get us to believe that Tracey Morgan hates gay people). As in most cases, only the crazies believed their fear mongering. Cut Copy’s “Zonscope” album cover presents an elegant view of what it may have been like if the news had been actually telling the truth. And how would New York respond? With a middle finger in the form of the Empire State Building.

1. Teebs

“Collection 01”

Almost all of the albums featured on this list are created by outside artist. Whether it be a picture taken by a polish photographer, a color pencil drawing by an artist, or a slide stolen from a gynecologists office, most bands draw inspiration from others creations. Not Teebs though (actual name Mtendere Mandowa). This hip-hop producer creates both his art and music in unison, using one to inspire the other and vice versa. As a result, his beats are glazed in nature while his paintings of flowers are influenced by modern society. It’s one of the rare cases where you can actually judge an album by its cover.

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Video Clip of the Week: Hitler’s take on “King of Limbs”

I know the gimmick of subtitles set to the movie “Downfall” have run their course, but I recently stumbled across this clip of Hitler ranting and raving about Radiohead’s “King of Limbs” and thought others might enjoy his take on their latest release.  I never thought I’d say this, but I agree with most of Hitler’s take on this one (although not nearly as vehemently). “King of Limbs” isn’t bad by any means, but this is Radiohead for Christ’s sake. Eight songs that don’t even reach the 40-minute mark?  And there won’t be a part two as originally reported? I digress; Hitler says it so much better than me.

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Top 100 Albums of 2000 (80-61)

80.  OOIOO – Gold and Green

Yoshimi P-We (of the Boredoms) drops much of the grating no wave and goes for melody and atmosphere (kind of like her main band’s album from the same year in fact).  – Willie Rambo Strider

79.  Broadcast – The Noise Made by People

I have always heard Stereolab too much in Broadcast’s music to get too into it.  Which isn’t fair to them, cos it is pretty darn good electronic Euro-pop made for old spy movies.  Contains some fantastic songs and would rank much higher if I could ever get over how much it sounds like a Stereolab rip-off.  — Songssuck

78. White Stripes – De Stijl

I hadn’t listened to this in at least 5 years.  It just never made me as hard as everyone else.  But I am glad I dug it out, I was surprised by how much I enjoyed it.  Pretty diverse set of songs for a rock duo.  If you liked Elephant pick this up, I always thought this was a better album.  – Ho Chi Unser Jr.

77. Boris – Flood

Like Absolutego, this album is one long track (I know that turned a few off already).  Boris at their most minimalist and serene.  Jimi Hendrix joining a krautrock band and trying to seduce a woman by sending gentle ocean guitar waves her way would sound like this.  But at times one feels as if the waves are a flood of heaviness, albeit not heaviness from loudness, riffs or death metal vocals.  Leave it to Boris to be so good they can be heavy without being heavy.  — Pthestudp

76. Deftones – White Pony*

Deftones: here to show us that rap + metal or nu-metal wasn’t such a bad idea after all.  — Pthestudp

75. Super Furry Animals – Mwng

A largely acoustic offering, void of the electronic studio wizardry and harder rocking songs and sung entirely in Welsh.  Interestingly enough, as this was my first SFAs, I thought they were all like this.  And that’s not a bad thing, even though their organic arrangements and acoustic instrumentation don’t allow the band to really flesh the songs out like on other SFA albums.  I guess the band didn’t put too much time or money into the album (this along with the other aforementioned differences made some critics and fans dismiss this album as a stunt), but that doesn’t keep it from being a really great pop album that you will sing along with, even if it is in Welsh (actually the language barrier for me makes this album more otherworldly and lush and just plain better, I can’t really explain it.  It is just a beautiful language).  Get a version with the 5 bonus tracks, they are good.  – Dr. Anonymous

74. Wu-Tang Clan – The W

Depending on what day it is, I like this even better than Supreme Clientele (although not most days). It makes me sad when I talk to people about 36 Chambers and they haven’t heard this one.  – Dr. Anonymous

73.  Primal Scream – XTRMNTR

Bobby Gillespie recruits Mani (from the Stone Roses, which was an excellent choice, as some of the basslines are just incredible) and Kevin Shields (of My Bloody Valentine) and an army of robot insects for his percussion section.  The first two songs on the album, “Kill All Hippies” and “Accelerator” vie for the top songs of 2000.  But one cannot start off an album so strong and expect people not to be disappointed as it goes along.  If this list was the best two songs to start off an album, XTRMNTR would win hands down.  – Kid Kilowatt

72.  Mirah – You Think It’s Like This But Really It’s Like This*

I’ve read a lot of myths about Mirah.  That she makes nut milk and sells it at the café she runs out of her apartment, that she was born on her parents’ kitchen table, that her full name is Mirah Yom Tov Zeitlyn, and that she is a gay Jewish hobo hippie.  Who knows which, if any, are true.  Her debut album has been called “brutally cloying” and a “charmer.”  Honestly, I find both to be true depending on one’s mood and which of the 16 songs one is listening to.  The discerning folks at aQ records point out that Mirah could have just as easily done the soundtrack to Juno.  That goes a long way towards describing her music, but it is nowhere as apt of a description as on YTILTBRILT.  You can literally hear some of the songs on the movie, they are honest, endearing and heart wrenching.  Phil Elverum of the Microphones (which Mirah was also a member of) lends his production and instrumental skills to the album, and his presence is palpable.  – Suzy Creamcheese

71.  Arab on the Radar – Soak the Saddle

Yoko Ono fronting the teenage noise punk band next door.  Obviously, for some, or in certain moods this album will be too abrasive/annoying.  But I cannot say ‘No’ to the guitars (although Pitchfork can, they gave it a ‘2.0’). – Songssuck

70.  Marumari – The Wolves Hollow

Supposedly, this album tells the story of a wolf race from outer space.  The wolfemian fed cow brains to a supercomputer in order to survive.  But on April 18th, 1976, the war of the worlds began when earth wolves attacked the wolfemian.  Before the alien wolves were all destroyed, thy passed their music onto Josh Presseisen, who had contacted the wolfemian some years earlier on ham radio.  This all sounds really lame and ridiculous, until one has listened to the album about 3 times.  The Wolves Hollow rewards repeated listens and the otherworldliness of the music begins to shine through.  Then one realizes it could only have come from alien wolves.  – Kid Kilowatt

69.  Iron Maiden – Brave New World

Bruce Dickinson and Adrian Smith return to Maiden thus reuniting the classic lineup (along with 3rd guitarist Janick Gers) for the first time since 1990’s No Prayer for the Dying (I think, it might have even been 88’s Somewhere in Time).  Maiden sound rejuvenated and ready to kick ass again.  Seriously, if you like Maiden you owe it to yourself to pick this one up.  Not as good as their first five albums, but up there.  Brought down a bit by Harris’ overt progginess that doesn’t work at times, but how many 80’s metal bands still kicked this much ass in 2000?  None.  — Pthestudp

68.  Sacred Steel – Bloodlust

Ever been sad after thinking about the lack of classic metal being produced these days?  Well dry your tears heavy metal warriors.  Sacred Steel are here with 11 songs that sound like it is 1983.  – Pthestudp

67.  Swearing at Motorists – Number Seven Uptown

Dave Doughman and Don Thrasher (dude who drummed for GBV during their especially kick ass period) create some Guided By Voices influenced ditties about coming home for Christmas, vans, wondering where you went wrong, and seeing an ex girlfriend walking down the street.  I love their lo-fi harmonies.  An underrated album from a very unheard band.  – Kid Kilowatt

66. The For Carnation – s/t

Nick Mirov, who writes for the website the Bay Bridged had this to say: “This album is the sonic equivalent of standing on a deserted dock at midnight and watching fog roll towards you with a nagging feeling in your gut that some evil presence is near.”  I bought this album because of its connections with Slint and Tortoise (Brian Mc and Britt Walford from Slint and John McEntire from Tortoise).  Don’t be surprised if you are disappointed if you come to this album for the wrong reasons (it really isn’t much like Slint or Tortoise), as I was for a long time. – Songssuck

65. Boss Hog – Whiteout

Some swampy blues, with a lot of electronics thrown in for extra kicks, from Christina Martinez and her husband Jon Spencer.  Judge this book by its cover cos the music, like the cover is good shit.  – Willie Rambo Strider

64.  Propagandhi – Today’s Empires, Tomorrow’s Ashes*

John K. Samson left to form Weakerthans and took a lot of the melody & humor along with him.  Propagandhi were much more hardcore and pissed off on this album, “with friends like these, who the fuck needs Cointelpro?”  Definitely worth buying the actual album, a lot of info that blew my mind back then included.  Appropriate that it was one in the bunch that my mother threw away, that’s for sure (although I would like to think that Patti stands against “bullshit politicians,” the exploitation of workers in 3rd World countries, terrorism, and “ordinary people do[ing] fucked-up things when fucked-up things become ordinary.”)  She just really hates hardcore.  Don’t we all.  – Pthestudp

63.  Radiohead – Kid A*

I know I know.  You are tired of hearing/reading about Radiohead and Kid A. But you know what’s crazy?  There are some people who don’t listen to Radiohead.  Dumbasses.  I hadn’t listened to this in like 5 years (Who’s guiltier?).  But seriously, that kind of proves my point: it is overrated.  It has become more of an idea than an album (like a holy grail everyone just looks at and no one drinks from), topping everyone’s best of the 00’s lists.  A good (but not the best from the last 10 years) album that needs to be listened to and not talked about.  So I’ll shut up now.  – Dr. Anonymous

62.  Jackie-O Motherfucker – Fig. 5

Deep in the Psychedelic Forest live a tribe of dwarves.  But these aren’t the type of dwarves you may have heard of.  These dwarves like to party, get fucked up and jam.  In fact these dwarves’ drum circles are so groovy that Albert Ayler sometimes stops by to sit in on the circle, drop some shrooms, drink some dwarf beer and deconstruct and revise folk classics to the point they become avant-garde masterpieces (in fact “Amazing Grace” is pretty much unrecognizable).  Can you dig it?  — Songssuck

61. The Panoply Academy Corps of Engineers – Concentus

If it were not for a album put out by Dischord, Concentus would hold the best math rock album of 2000 title.  Nar Nar Nar/ Nar Nar Nar Nar/ Heeeeeeeyyyyyyyyy! – Songssuck

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