For those that are avid BDWPS readers, I want to apologize for the lag in writing as of late. If you listen to the podcast, you know that I recently moved from San Antonio to Minneapolis. This past few weeks I’ve been getting acclimated to my new job, and as you may suspect, I’ve been pretty stressed out. As a result, it has been ten days since my last post, a major no-no considering I make it a goal to have a post a week. The video below is not earth-shattering and it’s likely you’ve seen it before, but if you enjoy watching people make fools of themselves as much as I do, it will suffice for this week’s post. I promise to get back to my writing schedule once I’m all settled in here in Minnesota. Thank you for your patience.
It’s no secret that I’m an albums guy. One look at my extensive year-end “Top Albums” list, and it’s clear that I’m a purist at heart, almost always listening to an album from start to finish. However, there is the rare occasion where I’ll queue up a specific song to fit the mood or raise my spirits. The list below contains 25 of those songs that I found myself searching out (why 25? Because I couldn’t cut it down to 20). You will not find many songs from albums on my “Top Albums” list simply because if it’s a great album, I’m probably not going to skip tracks. Instead, you will mostly hear songs that were stand-outs on albums that didn’t quite make the grade. If you are expecting a list that is of the same caliber as my “Top Albums” run-down, you are about to be greatly disappointed. But if you’re up for checking out some of those songs that got multiple replays on my iPod in 2014, the following list should provide you with an entertaining mix.
In this episode we listen to new tracks from Ex Hex, Death From Above 1979, Willie Nelson, Goat, Shellac, and Jennifer Castle. I also discuss the new HBO series “Sonic Highways,” the documentary “Beware of Mr. Baker,” and take a look back at Bob Dylan’s legendary road trip in 1964. You can listen to the episode HERE or subscribe to the podcast on iTunes (search: BDWPS).
Last weekend a few friends and I took a three-day canoe trip down the Des Moines River in Iowa, starting in Estherville and ending up in Rutland. Since this experience, I can’t get the river off my mind (I have water on the brain). The journey packed a jambalaya of emotions: fear, exhilaration, calm, joy, and enlightenment. Many around Iowa look at the Des Moines River as a dirty cesspool of cow dung and pesticides, but they’ve obviously never gotten to know those murky brown waters. Now, I can’t help but feel a connection to the river.
Realizing I need to post a blog before BDWPS.com dries up like a riverbed, I contemplated different albums I could review. Nothing excited me though, and without passion, my writing sits as lifeless as a dead fish on the banks. Instead, I followed my recent enthusiasm from my river experience and decided to write a list of the “Top 20 River Songs.” As I started compiling the list I began to realize that rivers have been the subject of many, many, many songs. And it isn’t any wonder: rivers are mysterious old souls that can look serene and inviting while hiding beneath their vast power and unpredictability. They are both beautiful and terrifying at the same time.
“Lazy River” Louie Armstrong
“Green River” CCR
“Yes, the River Knows” The Doors
“The River” Dutchess and the Duke
“Roll On Columbia” Woody Guthrie
“How Deep is that River” Mason Jennings
“River of Deceit” Mad Season
“All the Gifted Children” Lou Reed
“Mississippi River” Muddy Waters
20. “Proud Mary” Creedence Clearwater Revival
I hate this song (probably because it has been so over-played), but I felt compelled to include it on the list. If you asked the average person to name five river songs, this song would undoubtedly come up. If I left it off the list I would be deceiving the readers based solely on my bias. I prefer the CCR version over Tina Turner’s. Then again, that’s like saying I prefer liver and onions over a Spam sandwich. Regardless, you made the list CCR. Take your #20 ranking and roll with it.
19. “River, Stay ‘Way From the Door” Frank Sinatra
“River, Stay Away From the Door” is a plea to flood waters to stay away from the narrator’s cabin. The song takes on a double meaning as a plea to an ex-wife or girlfriend, asking her to stay away and leave him with the few items that he still has: his bed and a fire. And really, that’s all a man needs, right?
18. “Dam that River” Alice in Chains
As with 90% of Alice in Chains songs, “Dam that River” is about heroin addiction. In it, Layne Staley sings of someone trying to dam the river (stop his addiction), but despite their efforts, the river still washed him away. Damn.
17. “Down in the River to Pray” Alison Krauss
There has always been a connection between rivers and religion, one that goes beyond baptism. With “Down in the River to Pray” Allison Krauss sings about going to the banks to speak to God. And why wouldn’t she? Just like God, the river is deep and mystifying, cleansing and strong, ceaseless and never-ending. It makes you wonder why anyone who lives within 20 miles of a river goes to church to pray.
16. “Ballad of Easy Rider” Byrds
On the “Ballad of Easy Rider,” the Byrds draw a connection between riding a motorcycle and riding a river, and I guess it makes sense. During our trip down the Des Moines last weekend, we often didn’t know where we were or where the curving waters would take us next, but we never really cared just as long as we kept moving. I imagine this is the same experience those roving bikers felt in “Easy Rider,” letting the journey lead their way toward freedom. The only difference being (spoiler alert) we didn’t have a bad acid trip or get murdered by hillbillies. (Side note: Bob Dylan helped write this song)
15. “River of Sorrow” Antony and the Johnsons
No other voice could pull this song off quite like Antony. His croon always captures the spirit of a desperate soul. On “River of Sorrow” he begs the endless river to stop swallowing many things: sorrow, love, and time. Now if only he’d tell the river not to swallow my cell phone and wallet (which it did!).
14. “Ol’ Man River” Beach Boys
You knew “Ol’ Man River” would make the list. It’s a staple of the river song catalog and has been performed by artists such as Frank Sinatra, Judy Garland, and Ray Charles, but my favorite version comes from the Beach Boys off their album “Friends/20/20.” It’s probably inappropriate to like their version the best considering it originated as a slave song with lyrics like “let me go away from the white man boss.” Oh well, I’m a sucker for Bryan Wilson harmonies. I guess I would draw the Beach-Boys-slave-song-line at “Strange Fruit” (although I imagine it would even be pretty incredible).
13. “Pissing in a River” Patti Smith
I first discovered this song when I read Nick Hornby’s Songbook. In the chapter on “Pissing in a River” he recounts an incredible show he caught of Patti Smith and how her performance of this song still remains in his mind. Hornby says it best: “…the song was called ‘Pissing a River’; and it was played on guitars, and it lasted four or five minutes, and its emotional effects depended entirely on its chords and its chorus and its attitude. It’s a pop song, in other words, and like a lot of other pop songs, it’s capable of just about anything.”
12. “River Euphrates” Pixies
In “River Euphrates” the narrator finds himself stranded, out of gas, on the Gaza Strip. I used to think his solution was to ride a tire down the Euphrates river, which would be pretty sweet, but doing research for this blog I discovered that he actually says “Ride the tiger down the River Euphrates!” Riding a tiger down a river?! And I thought riding a tire was bad ass.
11. “Five Feet High and Rising” Johnny Cash
Johnny Cash has several river based songs (“Big River,” “Run Softly Blue River”) but the one I like the best is “Five Feet High and Rising.” I love how the song goes up a key each verse, a subtle touch that adds to the narrative. Plus, Cash somehow makes a disaster like a five foot flood sound fun.
10. “Watching the River Flow” Bob Dylan
When I started compiling this list, Bob Dylan’s “Watching the River Flow” was one of the first songs to come to mind, but when I searched through my i-Pod for the song, it was nowhere to be found. “What album was it on?” I wondered, searching one album after another. Then I realized I first heard it on his second edition of greatest hits, which I didn’t load to iTunes for redundancy reasons. With all of Dylan’s bootlegs and rarity albums you’d think there would be another place to find this great song, but it has only be seen on that one greatest hits compilation. It’s a testament to Dylan’s songwriting talents; an awesome song like “Watching the River Flow” is just a leftover.
9. “Shenandoah” Pete Seeger
A song about as old as America’s rivers themselves, “Shenandoah” once served as a shanty for river men and has changed over time as people from across our great nation changed and added lyrics to fit their region. Over the years, the name “Shenandoah” in the song has represented a plethora of things: a river, an Indian chief’s daughter, and a small Iowa town. Pete Seeger’s version is my favorite. While others spruce their recording up with orchestra swells and back-up choirs, Seeger captures the folk soul of the song simply with his voice and a guitar (there’s also a live version with a banjo – yes, a banjo).
8. “Black Water” Doobie Brothers
“Black Water” has an upbeat, blue grass feel that captures the sensation of rolling down the river with friends, taking the experience all in. It also hearkens back to Huck Finn’s journey down the Mississippi on a raft and how those black waters led his way. Some have suggested that the black water represents anything from bong water to moon shine, but I tend to believe it is simply about the Mississippi River. And if it is about drugs or alcohol, why are they riding on a raft? Does that symbolize a bean bag? And are the catfish pot brownies?
7. “Whiskey River” Willie Nelson
I don’t think there is an actual Whiskey River, but the metaphor is pretty obvious. With a broken heart, Willie turns to whiskey to wash away his pain and take his mind off of his problems for just a while. The river makes for a great whiskey analogy because while riding the Des Moines we were disconnected from the real world of responsibilities. It was just us and that amber current (Note to self: bring a bottle of Jack next year).
6. “River Guard” Smog
This song always reminds me of “Shawshank Redemption.” Not that there are any rivers in the film, but Bill Callahan’s story of these prisoners being free for just a moment conjures up the image of Andy Dufresne and his gang drinking beers on the rooftop, finding joy and freedom for an instant. The river serves that same purpose in “River Guard,” giving these criminals a chance to be “unburdened and relaxed.”
5. “River” Joni Mitchell
I find it strange that Joni Mitchell’s “River” has become a Christmas song. It was never intended as such. Sure, it speaks of decorations and songs of peace, but the message is anything but joyful. Joni wrote “River” about the remorse she felt when thinking back on the daughter she gave up for adoption. Instead of most songs on this list that speak of flowing waters, Joni wants a frozen river to “skate away on.” That’s a Canadian for ya.
4. “Down By the Water” PJ Harvey
What happened under the bridge is still in question, but there is no doubt that innocence was lost. Whether it was the narrator who lost her childhood to sexual abuse or her actual daughter, she stands on the banks of the river and begs the fish (Christ) to bring back her purity. The fact that many think this is just another riverside murder song shows just how much depth there is in PJ Harvey’s songwriting.
3. “Take Me to the River” Talking Heads
This is originally an Al Green song, and as much as I respect Mr. Green, I prefer what the Talking Heads did with it. The Green version was based in religion with him turning to the waters to wash away his sins. In a genius move, David Byrne took these lyrics and tweaked them to be about a lover who the narrator can’t resist. He’s willing to give up everything just for her to “dip (him) in the water.” Leave it to Byrne to make baptism sound racy.
2. “Down by the River” Neil Young
One of Neil Young’s most mysterious songs, “Down By the River” has a chorus of “Down by the river, I shot my baby.” This would suggest that this is another song about a riverside murder, but the rest of the trippy lyrics speak of “taking a ride” and being dragged “over a river.” While Young has stayed pretty mum on the subject of the song, some have suggested that the river represents heroin (a motif discussed earlier with “Dam the River”) and he’s shooting himself up in order to take the ride. Again, it’s probably just about a river, but it’s fun to think about. Whatever the case, it’s a damn catchy song with distinctive guitar break-downs throughout. Just like a river, Young’s guitar solos are always erratic, fierce, and unrelenting.
1. “The River” Bruce Springsteen
As with most Springsteen songs, “The River” tells the story of the struggles of adulthood. This particular song tells the story of a couple who has been together since high school, spending their youth down at the river swimming and sunning. As the song progresses both the river and their lives change with time. By the end, the river that once tied them together and brought them joy is gone. It’s hard to imagine a river dying; about as hard as it is to see teenage dreams dry up.
With the finale of “LOST” approaching us this Sunday, I decided I’d take a moment to look at the role music has played in the show. Not the orchestration, as fantastic as it is, rather the use of popular music through the past six seasons. I understand that many of the song choices are due to their thematic connection, but I’m going to ignore those links altogether and judge the characters’ music choices on face value with one question in mind: who on the island has the best taste in music. I’ve had this question in my mind since I began viewing the show back in January. That’s right: six seasons in five months. I’m not proud of this fact, but I’m glad I went all in on this ground-breaking show.
10. Desmond Hume
The song that everyone associates with Desmond is of course Mama Cass Elliot’s “Make Your Own Kind of Music.” This is due to the fact that when we first met him he was blaring this song in The Hatch. Now, I understand that Desmond’s music choices were limited to only the stack of records kept in his little bunker, but to play this corn-ball garbage in the morning while doing dishes and sit-ups is a bit suspect. Even when not stuck in the hatch his taste blows. While lying in bed in another life (brotha!) he is listening to Sarah McLachlan’s “Building a Mystery”. What a romantic hack! Desmond doesn’t make this list because he has the tenth best taste in music, rather his taste is the worst.
9. John Locke
John always meant well. No one can deny this. He was a romantic at heart and was foolish enough to think things happen for a reason. Hence, his music choice while eating breakfast with Helen is George Jone’s “I’ll Share My World With You”, when we all know that he won’t (unless it’s an alternate future of course). George Jones fits the classic country mold, although he seems a bit forced at times. John redeems himself in another episode with a song that seems more fitting for the perpetual loser. While driving in his old rusty truck, John listens to Muddy Water’s “I Feel Like Going Home”. Not only do the blues perfectly portray the turmoil that Locke must endure, but throughout the show he truly is looking to go home. Unfortunately, not even the island is John’s home sweet home. Poor fella.
8. Kate Austin
Kate is a one trick pony when it comes to her music choices, or I should say music choice. Patsy Cline, Patsy Cline, Patsy Cline: that’s all Kate is ever listening to in any flashback or flash-forward, regardless of what alternate future or past is taking place. We get the connection writers, you don’t need to shove it into our earholes. Yes, Kate often goes “Walking After Midnight” like a scavenger, and “She’s Got You”, whether that you is in reference to Jack or Sawyer. I never understood Kate’s attraction to Sawyer and his snake-skin salesman ways, but then again, this is the same girl who tried stealing a New Kids On the Block lunch box. Fortunately for Kate, I’ll forgive her bad choices in life due to her good ones. Jack Shepherd is the man, and I have to admit that I’ve got a soft spot for old Patsy and her heart-wrenching tales. I just wish the girl would give Mrs. Cline a break once in a while (even If that means a quick listen to “Hangin’ Tough”).
7. James “Sawyer” Ford
Sawyer is known for his wise-cracks and pop-culture references, and this of course means a few music based comments like calling Frank “Kenny Rogers” or mentioning Jimmy Buffet’s “Coconut Telegraph”. But none of his comments seem to delve deep into the music world like his allusions to old TV shows and movies. We didn’t get much of a sense of Sawyer’s music taste until this final season when we find him hiding in one of the old Dharma cabins listening to Iggy and the Stooge’s “Search and Destroy”. What better song to listen to when you’re seeking revenge for the death of your girlfriend? But then of course, ol’ Sawyer lost huge points, at least in my book. When the smoke monster first flies by the house Sawyer is listening to “Search and Dstroy” inside. Old Smokey continues on his way, talks with Richard for 10 minutes, and then finally decides to return to visit Sawyer. When he returns, the same song is playing. This would mean that James “Sawyer” Ford listened to the song, got up, moved the needle on the LP back to the same song, and listened to it several more times. Don’t get me wrong, “Search and Destroy” is a great pop-punk song, but the album it’s featured on, “Raw Power”, is even more incredible. I’ll give Sawyer credit for listening to The Stooges, but no one should ever start “Raw Power” and not listen to it straight through. It’s sacrilege. (I do have to point out that “Search and Destroy” is actually about the Smoke Monster/John Locke, both quintessentially being the “forgotten boy”).
This clip is in Spanish, but you get the point:
6. Charlie Pace
You would think the rock star on the island would be the shoe-in for best music taste. Not so fast my friend. Charlie’s Brit-band Drive Shaft was simply a one-hit-wonder, and “You All Everybody” is the type of musical fare you would hear at the beginning of a Peter Engel Saturday morning TV show like “Saved by the Bell” or “California Dreams”. Anytime Charlie’s meal-ticket began playing, I’d cringe. I would like to blame the utter shitt-iness of the song on his brother Liam, but Charlie was the “talent” of the band, writing all the songs. So why is Charlie ranked sixth if his songwriting was so lacking? He gave glimpses into his music taste on occasion, whether it be singing a Kinks song to pass the time on the island or his “Strawberry Fields Forever” tattoo. Sure, no one can forgive Charlie/Merry for playing Oasis on a street corner, but here at BDWPS we can’t hate on a guy who is also seen at one point wearing a Bob Dylan “Highway 61 Revisited” t-shirt. Bob Dylan Loves Drive Shaft. You heard it here first.
5. Mr. Ecko
I think this is just a sympathy pick. Mr. Ecko was easily my favorite addition to the show, yet the writers had to kill him off before we really got to explore the psyche of this profound character. In one scene you can hear Ecko listening to Femi Kuti’s “Eko Lagos”, a great choice simply due to the song title. Who is Femi Kuti? The son of the great Feli Kuti! Who’s Feli Kuti? Watch your mouth! Basically, Femi Kuti is Nigeria’s version of Sean Lennon if Sean Lennon had talent. Over the years, Femi has explored afro-beat music, pushing his father’s legacy into new directions. The fact that Ecko is listening to this song at a bar may make his placement at number five a bit suspect, but I’d like to believe Mr. Ecko sauntered over to the jukebox to pick this song prior to the start of the scene. Call me a dreamer.
4. Pierre Chang–
You would think of a scientist as being uptight and not having interest in pop music, but Pierre Chang proves that even a scientist can make a little time for Willie Nelson. On a beautiful morning in Dharma-ville, Dr. Chang wakes up and decides that the best way to start the day for his wife and son is to listen to Willie Nelson’s “Shotgun Willie”. This moment is the only glimpse we really get into the minor character Chang’s personal life, but it’s enough for me to deem him a lover of music. At the moment, I can’t think of a better way to start a day than to listen to Willie Nelson.
3. Juliet Burke
We actually only hear Juliet listening to one song, and if I based my decision on this choice alone she would rank near Desmond. While prepping for her book club, she has Petula Clark’s “Downtown” playing loudly on the stereo. She’s listening to the same song when driving with Rachel up to the guardhouse. This song isn’t necessarily horrible, but it isn’t great either. Personally, I can’t hear “Downtown” without thinking of the “Seinfeld” episode where George Constanza tries to unlock the secret of the song. The secret to Juliet’s great taste in music lies in her CD collection. Before putting “Downtown” in the CD player, she fumbles with the Son Volt CD “Okemah and the Melody of Riot”. Not only does Juliet like classic 90s alterna-country, but she then picks up a CD case for the Talking Head’s “Speaking In Tongues”. Son Volt and Talking Heads? Now that’s my kind of girl! The fact that she chose Petula Clark over these two incredible albums is beyond the point. Could they have possibly been Goodwin’s CDs? I won’t entertain the question, God rest his soul.
2. Jack Shephard
Once stuck back in his normal life, Jack realizes he made a huge mistake by leaving the island. He goes through a major depression and is often seen listening to essential early 90s grunge like Nirvana’s “Scentless Apprentice” and The Pixies “Gouge Away”. I can’t imagine my doctor listening to these raw, vicarious grunge tunes, but Jack’s not your average doctor. He’s a perfectionist, and when things don’t go as expected, he lets things fall to pieces, one gouge at a time. I love the fact that the eventual hero of the show (I’m calling it now) is deep down, a broken, emotional wreck.
1. Hugo “Hurley” Reyes
Hugo is the obvious pick here, as much as I tried convincing myself that Jack was the true music fanatic of the island. There are several details that I can’t deny. First off, Hugo is the only person who actually listens to a portable music device while on the island. The fact that a lottery winner is listening to a Disc-Man says a lot about Hugo’s hipster leanings. Instead of going the digital route with an MP3 player, Hugo still clings to his physical media. Heck, his first stop after winning the lottery is the record store! And while there, he asks the clerk to go to a Hold Steady show with him. Hurley’s taste in music runs the gamut, ranging from James Brown to Damien Rice. But the best insight into Hurley’s knowledge of music lies in his references. For example, when talking to Mrs. Trahn, his servent, he calls her “Lady Tron”, an obscure music reference to the Roxy Music song of the same title. This comment alone demonstrates a true grasp of music history (and music snobbery at that). Hugo may not have any Femi Kuti or Pixies in his record collection, but his consistent display of musical insight is unchallenged by any other castaway of Oceanic Flight 815. His ability to talk to dead people may come in useful after all; “Jimi, are you out there?”
A classic Hugo moment; his Disc-Man’s batteries finally die:
Roky Erickson with Okkervil River“True Love Cast All Evil”[Anti-]
In the past month I’ve gotten back into the dating game, taking several different women out on that all too awkward first date. I hate the entire courting process in general with its uncertainties and 20 questions interview format. But my most despised, unavoidable moment is when the dreaded question arises: “So what kind of music do you listen to?” I never know how to answer. Some of my favorite artists at the moment are Devo, Slayer, Tanlines, Four Tet, Wu Tang, Erykah Badu, and the underappreciated 1960s band The Zombies. How do you describe all of this in one blanket statement? I could give the generic “I like everything” but that’s a bit misleading. I don’t want them to think I enjoy both Nickelback and Brad Paisley.
Usually I just say I like “weird” music or sometimes I splurge and say “indie” music, another misleading response. I of course am then forced to ask the same question, dreading the response I’ll get because I know I will be disappointed. In my recent exploits, the answer has been “country music”. I know….I know…no matter how much I try to get past this point, it remains in the back of my mind, an imaginary scarlet letter “C” scrawled across their shirt the remainder of the night (make your own jokes).
I hate to be judgemental of other’s taste, but I struggle to find any value in modern country: the hokie lyrics, the put-on twang, the predictable storylines. And the thing is, I actually love country music. Not the convoluted crap on CMT, but real country. The country music of Willie, Emmy Lou, Merle, and Johnny. The old style of country that still had a soul, that was soaked in sincerity and warbled with authenticity. There was no need to pander to patriotism or reach out to the religious right. In fact, country music was about rebelling, about “killing a man in Reno just to watch him die”, about “drinking yourself blind with whiskey, weed, and women”, not the transparent choruses of “God is great, beer is good, people are crazy!” or “I love this bar!” Unfortunately, in the 80s the country music machine began moving away from its gritty country roots toward a glossier, family friendly approach.
Johnny Cash became so fed up with country music that he bought a full-page ad in Billboard magazine featuring the above picture with the caption,“American Recordings and Johnny Cash would like to acknowledge the Nashville music establishment and country radio for their support.”
I don’t mean to say real country doesn’t still exist, or that artists haven’t taken the sound into more adventurous directions. Here in the nation of Texas we have our own breed of country with artists like The Band of Heathens, Guy Forsyth, and Ryan Bingham presenting a sound that is more tried and true to what this style of music is supposed to be. It isn’t a coincidence that all these musicians hail from Austin, a city where all music forms blur lines and reach in new directions.
Austin is also where the subjects of this album review hail from (you knew I’d get to the album review eventually…). While Okervill River usually thrive on folky rock anthems, Roky Erickson is a 1960s psychedelia survivor who’s quirky personality leans more towards Daniel Johnston than Lou Reed. Yet when I listen to their collaboration “True Love Cast Out All Evil”, I can’t help but believe that this is a country album at its core. Maybe it’s alt-country, Texas country, or whatever other label you want to stamp on it, but it’s country music.
At first I thought my country diagnosis was due to Roky’s earthy twang. Then I changed my mind and decided it was due to the occasional whine of the steel guitar. But I was still wrong. The combined powers of Roky and Okkervil results in heart-wrenching tales, brimming with sincerity and soul. Roky, a victim of paranoid schizophrenia, growls out lyrics that come straight from the heart, not from the notepad of a hired songwriter. This is real, melancholy melodies of a man who is struggling to live day to day.
“Be and Bringing Home” is more country than anything you’ll find on CMT. It looks like some time in the mental hospital could do Tim McGraw some good:
Okkervil River know better than to step on Roky’s toes, playing as a back-drop rather than a center-piece. Yet, when the time arises, they step up to the plate and hit a home run with their artistic approach, exploring noise fueled nooks and crannies of the honky-tonk that only a five dollar call girl knows. I’ve been a critic of Okkervil over the years, but I’m beginning to wonder if my dislike was mislead. They are a popular band in their own right, yet they allow Roky to do his thing while still adding their own unique nuances to his songs.
“Please Judge” starts off as a slow, procession, but mid-song Okkervil raise the song a notch with their own unique perspective:
Maybe I’m wrong altogether. Maybe this isn’t country music. And really, does it matter what it is if it’s good? I guess to a stickler like me it does. Maybe Roky and company are simply taking a genre into stranger, unexplored territories, like a musical Lewis and Clark. I guess there-in lies the answer to that dreaded date question “What kind of music do you like?” It’s not “indie”, “everything”, or “weird”: simply put, I like music that explores. I guess I’m just a nomad at heart.